Mentiras (2) is a Tango written by and recorded by Osvaldo Fresedo in 1928. The Tango Mentiras (2) is written by , Osvaldo Fresedo has recorded Mentiras (2) with the singer Ernesto Famá.
“Mentiras (2),” or “Lies (2)” in English, evokes a haunting melody that weaves stories of deceit through its notes. The music draws you into a world where truth is obscured, and reality blurs with illusion. Each chord echoes the pain of trust betrayed, leaving a lingering sense of longing for unspoken truths hidden beneath the surface.
These Tangos, Valses, and Milongas were recorded around the same time. Take a look to discover what else this orchestra—or others—may have recorded during the same week or even on the exact same day.
This is the translation of the Tango “Mentiras (2)” from Spanish to English. The English lyrics of the Tango “Mentiras (2)” have been done with AI.
Mentiras (2) recorded by Osvaldo Fresedo
Mentiras (2) is an instrumental Tango composed by Francisco Canaro and Luis César Amadori.
Interpretation of Mentiras (2)
The name “Mentiras” translates to “Lies” in English, suggesting themes of deception and emotional depth. As an instrumental tango, it might unfold as an intricate narrative, with the orchestra conveying feelings of betrayal and longing through dramatic swells and poignant melodies.
Osvaldo Fresedo and Mentiras (2)
Osvaldo Fresedo, renowned for his refined and elegant style, would interpret “Mentiras (2)” with finesse, emphasizing the emotive potential of the piece. His orchestra likely captures the tension within the music, blending smooth string phrasing with expressive bandoneón passages, delivering an evocative and memorable performance of this tango classic.