Mentira by Celedonio Flores

Mentira is a Tango written by Celedonio Flores and composed by Francisco Pracánico.

Story behind the Tango Mentira

“Mentira” portrays a tale of deception and lost love. The narrator reflects on a relationship where he was deeply in love, viewing his partner as a beacon of hope and a reason for living, only to realize that her affections were false. He accuses her of deceit and betraying their love, expressing his disbelief and hurt over the realization that her promises and emotions were never genuine.

Symbolism of Mentira

In “Mentira,” various symbols amplify the themes of betrayal and false love. Phrases like “Muñequita de trapo” (rag doll) suggest the narrator viewed his lover as delicate and cherished but ultimately something manipulated and lifeless in terms of emotional reciprocity. Comparing her to an inanimate object highlights the hollowness of her pretenses. Additionally, the repeated exclamation “¡Mentira, mentira!” (Lie, lie!) underlines the central theme of the tango, driving home the pain and indignation of being deceived.

Mentira in Historic Context

The tango was recorded in 1945, a period when Argentina was experiencing significant political and social changes. The sense of disillusionment and deceit in personal relationships within “Mentira” might parallel the broader public feelings about political promises and leadership during a turbulent era in Argentine history. Furthermore, tangos of this period often reflect deep emotional and existential themes, using personal narratives to explore larger societal disillusionments.

Celedonio Flores

Celedonio Flores was a renowned Argentine tango lyricist known for his poignant and often stark portrayal of love and urban life.