Mentira by Celedonio Flores

Mentira is a Tango written by Celedonio Flores and composed by Francisco Pracánico.

Story behind the Tango Mentira

“Mentira,” which translates to “Lie” in English, poetically unravels the story of a man disillusioned by the profound betrayal of a woman he loved deeply. Through its lyrics, Celedonio Flores narrates the emotional torment and realization of deceit in a relationship that once seemed grounded in profound, mutual affection. The primary themes revolve around betrayal, lost love, and the painful acknowledgment of the truth behind what was believed to be sincere.

Symbolism of Mentira

The repeated invocation of “Mentira” suggests a deep-seated pain associated with deception. Flores uses powerful symbols like “Muñequita de trapo” (rag doll) to depict how the woman, initially idolized, is now perceived as insubstantial and false—a mere object rather than a passionate partner. He also references “tu santa viejita,” implying the use of revered figures to deceitfully swear sincere love. Each of these images enhances our understanding of the protagonist’s sense of betrayal and the depth of the emotional facade he was presented with.

Mentira in Historic Context

Recorded in early April 1945, “Mentira” emerged during a period of change and uncertainty at the end of World War II. In this context, the lyrics might also reflect a broader societal experience of disillusionment and mistrust. Argentina itself was undergoing significant political shifts, and these national tensions could parallel the personal deceits and falsehoods lamented in the tango.

Celedonio Flores

Celedonio Flores was a renowned Argentine poet and tango lyricist known for capturing the essence of urban life and emotion through his poignant words.