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Mendocina

Mendocina is a Vals written by Miguel Bruno and recorded by Edgardo Donato in 1942. The Vals Mendocina is written by Miguel Bruno, Edgardo Donato has recorded Mendocina with the singer Romeo Gavioli.
“Mendocina,” meaning “from Mendoza,” carries the essence of a place nestled amidst Argentina’s sprawling vineyards and majestic Andes. Within its melodies, the piece captures the warmth of sun-drenched landscapes and the spirit of the people who call this land home. It echoes the rhythm of life in Mendoza, where passion and tradition blend in harmonious embrace.

Vals

Style

Edgardo Donato

Orchestra

Romeo Gavioli

Singer

Benigno Palmeiro

Author

Miguel Bruno

Composer

1942/8/6

Date

Romeo Gavioli
Romeo Gavioli
Edgardo Donato
Edgardo Donato

Discover Other Orchestras

Aníbal Troilo – Pablo – (unknown date)
Aníbal Troilo – La maleva – 1942/10/9
Aníbal Troilo – Ni más ni menos – 1958/12/23
Aníbal Troilo – El africano – 1945/11/15
Aníbal Troilo – Valsecito amigo – 1943/3/25
Ángel d’Agostino – Esquinas porteñas – 1942/5/22
Ángel d’Agostino – A las siete en el café – 1943/8/10
Ángel d’Agostino – Destellos – 1946/3/29
Ángel d’Agostino – Señores yo soy del centro – 1945/3/20
Ángel d’Agostino – Cascabelito – 1953/2/2
Quinteto Real (Horacio Salgán) – El arranque – 1960/1/1
Quinteto Real (Horacio Salgán) – Tema otoñal – 1964/1/1
Quinteto Real (Horacio Salgán) – Pobre gallo Bataraz – 1960/1/1
Quinteto Real (Horacio Salgán) – La trampera – 1960/1/1
Quinteto Real (Horacio Salgán) – Corralera – 1960/1/1
Cuarteto Típico Roberto Firpo – El esquinazo – 1939/3/3
Cuarteto Típico Roberto Firpo – De pura cepa (2) – 1948/1/21
Cuarteto Típico Roberto Firpo – Don Enrique – 1937/5/21
Cuarteto Típico Roberto Firpo – La rosarina – 1936/12/19
Cuarteto Típico Roberto Firpo – Pena mulata – 1941/6/16

Recommended

These Tangos, Valses, and Milongas were recorded around the same time. Take a look to discover what else this orchestra—or others—may have recorded during the same week or even on the exact same day.

Mendocina recorded by other Orchestras

Mendocina recorded by other Orchestras

1942/8/6 – Lonjazos (Rezo gaucho) – Edgardo Donato
1942/8/7 – Sin rabia y sin pena – Osvaldo Fresedo
1942/8/5 – Don Esteban – Cuarteto Tipico Roberto Firpo
1942/8/5 – Lo mismo que ayer (2) – Roberto Firpo
1942/8/5 – Ojos negros – Cuarteto Tipico Roberto Firpo
Mendocina – 1944/12/19 – Pedro Laurenz – Jorge Linares
Carlos Bermudez
Mendocina – 1942/8/6 – Edgardo Donato – Romeo Gavioli

Lyrics Translation of the Vals Mendocina

This is the translation of the Vals “Mendocina” from Spanish to English. The English lyrics of the Vals “Mendocina” have been done with AI.

Letra del Vals Mendocina

Una casita en la loma
Toda cubierta de flores,
Es el lugar de la cita
De los jilgueros cantores.

Ahí vive una mendocina
Tan hermosa como un sol,
Todos celosos, le cantan
Toda su trova de amor.

Mendocina, sugestiva
Y perfumada cual una flor,
Todas las noches, muy suavemente
Te brinda trinos un ruiseñor.

Sos tan linda, mi mendocina
Mujer divina, gracia de Dios,
Si vos supieras cómo te adoro
Mi mendocina, ángel de amor.

English lyrics of the Vals "Mendocina"

A little house on the hill
All covered in flowers,
This is where the meeting place is
For the singing finches.

There lives a girl from Mendoza
As beautiful as the sun,
Everyone, jealous, sings to her
Their whole troubadour of love.

Mendoza girl, suggestive
And fragrant like a flower,
Every night, very softly
A nightingale serenades you.

You’re so beautiful, my Mendoza girl
Divine woman, grace of God,
If only you knew how I adore you
My Mendoza girl, angel of love.

Mendocina by Benigno Palmeiro

Mendocina is a Tango written by Benigno Palmeiro and composed by Miguel Bruno.



Story Behind the Tango Mendocina

“Mendocina” delves into the romantic and picturesque depiction of a seemingly idyllic life in Mendoza, Argentina, portrayed through the imagery of a small hilltop house surrounded by flowers. It tells the story of a bewitching woman from Mendoza, admired and serenaded by local songbirds, who embody the men enchanted by her grace. The central theme revolves around the unparalleled beauty and allure of the Mendocina, who is as radiant as the sun and as fragrant as flowers, capturing the hearts of those who encounter her.



Symbolism of Mendocina

The lyrics of “Mendocina” are rich with symbolism that elevates the simple tale of a beautiful woman to something ethereal. The “casita en la loma” (small house on the hill) covered by flowers symbolizes isolation and an untouched paradise, creating a mystical aura around the Mendocina. Birds, notably “jilgueros cantores” (singing goldfinches) and “ruiseñor” (nightingale), represent poets or lovers who serenade the Mendocina, reinforcing the theme of unattainable beauty and desire. The repetitive reference to the woman as “Mendocina” personalizes and deepens her connection to her land—a symbol of natural and pure beauty.



Mendocina in Historic Context

The year 1942 was a significant time globally, marked by the throes of World War II. In Argentina, however, where tango music flourished, themes of love, beauty, and escapism could serve as a sentimental respite from the world’s harsh realities. Against this backdrop, “Mendocina” may have provided an emotional escape into a serene, untouched Argentinian locale, invoking pride in national beauty and the solace of romantic idealism. The emphasis on natural beauty and enduring love contrasts sharply with the global atmosphere of conflict and despair, offering listeners a lyrical sanctuary.



Benigno Palmeiro

Benigno Palmeiro is known for contributing to the rich tapestry of Argentine Tango, with compositions that often explore themes of love, beauty, and regional pride.