Fabrice Knecht Tango DJ

Medio dia

Medio dia is a Tango written by and recorded by Julio De Caro in 1928. Julio De Caro has recorded Medio dia as an instrumental Tango.
“Medio Día,” or “Midday” in English, captures the vibrant pulse of life’s peak moments, where shadows recede and the world is illuminated in clarity. This title evokes the warm embrace of the sun at its zenith, symbolizing clarity and the urgency of fleeting time. As the music unfolds, it reflects both the brilliance and the impending transition to afternoon’s descent.

Tango

Style

Julio De Caro

Orchestra

Instrumental

Singer

Author

Composer

1928/4/30

Date

Instrumental
Instrumental
Julio De Caro
Julio De Caro

Discover Other Orchestras

Carlos di Sarli – Tus palabras y la noche – 1954/9/14
Carlos di Sarli – Rosa Morena (Abuelita Dominga) – 1942/5/26
Carlos di Sarli – Fumando espero – 1956/4/26
Carlos di Sarli – Porteño y bailarín – 1953/10/30
Carlos di Sarli – El paladín (b) – 1929/7/11
Francisco Rotundo – Dicha pasada – 1957/7/8
Francisco Rotundo – Poema para mi madre – 1955/12/6
Francisco Rotundo – Para recordarlo – 1957/1/22
Francisco Rotundo – Nunca es tarde (Todavía estás a tiempo) – 1957/1/22
Francisco Rotundo – Sin barco y sin amor – 1955/6/9
Alfredo De Angelis – Para ti madre – 1948/7/23
Alfredo De Angelis – Que nadie se entere – 1952/11/25
Alfredo De Angelis – Guitarra de ausencia – 1960/6/17
Alfredo De Angelis – Mi rebeldía – 1955/10/4
Alfredo De Angelis – Tus besos fueron míos – 1952/11/14
José Basso – No eres igual – 1958/3/3
José Basso – Patoteros – 1953/12/9
José Basso – Canaro en París – 1970/1/1
José Basso – Mano cruel – 1962/1/1
José Basso – Sentimiento gaucho – 1955/12/23

Recommended

These Tangos, Valses, and Milongas were recorded around the same time. Take a look to discover what else this orchestra—or others—may have recorded during the same week or even on the exact same day.

1928/4/30 – Sollozos – Julio De Caro
1928/4/30 – Vayan saliendo – Julio De Caro
1928/5/2 – Pueblo chico – Roberto Firpo
1928/5/3 – El carrerito – Osvaldo Fresedo
1928/5/3 – Esta noche me emborracho – Osvaldo Fresedo

Medio dia recorded by Julio De Caro


Medio dia is an instrumental Tango composed by Julio De Caro.



Interpretation of Medio dia

“Medio dia,” translating to “Midday” in English, evokes the warmth and vibrancy of the day at its peak. This piece, when performed by the Tango Orchestra Julio De Caro, likely captures the bustling energy and contrasting calmness found as the sun stands high in the sky. The composition may weave together lively rhythms and slower, reflective melodies, embodying the diverse moods experienced in the heart of the day. Through a rich blend of traditional tango elements, “Medio dia” might explore themes of intensity, reflection, and the full spectrum of emotions, providing a musical representation of life unfolding under the midday sun.



Julio De Caro and Medio dia

Julio De Caro, an avant-garde violinist and bandleader, was pivotal in the evolution of tango music. Born in Argentina, De Caro’s orchestra was renowned for its innovative interpretations and expressive style. Recorded in the late 1920s, “Medio dia” stands as a testament to De Caro’s mastery in combining technical precision with emotional depth, reflecting the dynamic spirit of the era and the timeless allure of tango music.