Fabrice Knecht Tango DJ
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These Tangos, Valses, and Milongas were recorded around the same time. Take a look to discover what else this orchestra—or others—may have recorded during the same week or even on the exact same day.
Medianoche is a Tango written by Eduardo Escaris Méndez and composed by Alberto Tavarozzi.
“Medianoche,” which translates to “Midnight” in English, captures a moment of deep nocturnal reflection and the solitude of a barroom. Eduardo Escaris Méndez uses the setting and hour to delve into themes of loneliness, betrayal, and brooding vengeance. The lyrics describe a scene where the protagonist sits alone as his acquaintances have departed, possibly cognizant of his sufferings, which include both “the beer” and the “bitter taste” of sorrow that accompanies his drinking. The mingling of pleasure and pain, as symbolized by the beer and sorrow, outlines the complex human emotions at play.
The presence of “two black eyes” in the lyrics is a striking image. These eyes symbolize the source of the protagonist’s grief and betrayal. They are described as embedding the sorrow in him “like a knife to the sorrow,” suggesting depth and permanence to his emotional wound. Furthermore, the vivid scene of a dispute resolved away from the public eye hints at personal codes of honor and revenge, which are recurrent themes in tango lyrics that reflect on darker human sentiments and interactions.
Recorded in the early 1960s, a period of significant cultural and political shifts in Argentina, “Medianoche” draws on the traditional Tango themes of passion, betrayal, and resilience. This period in Argentine history was marked by social upheavals and a strong local culture that often found expression in music and dance. Tangos like “Medianoche” served as a narrative vehicle that offered both an escape and a critical reflection of the society’s morale and ethos.
Eduardo Escaris Méndez was a notable figure in the Argentine tango scene, known for his evocative lyrics that often wove intricate human emotions and societal observations.