Fabrice Knecht Tango DJ
Fabrice Knecht Tango DJ
Style
Orchestra
Singer
Author
Composer
Date
These Tangos, Valses, and Milongas were recorded around the same time. Take a look to discover what else this orchestra—or others—may have recorded during the same week or even on the exact same day.
Me vio tu barrio is a Tango written by Franco Lanata and composed by .
“Me vio tu barrio” reveals a deep narrative embedded with passion and the typical dramatic flair of traditional tango music. The tango unfolds in an environment where musical instruments are personified to dramatize a setting – the bandoneón moans in sorrow, while violins lament and the piano sings of love. Each instrument contributes to the emotional fabric of a community, a seamless testimony to the hardships and entanglements of neighborhoods where such feelings resonate. The scene is set in the gathering places of locals, likely dimly-lit milongas (tango halls) under street lamps that witnessed many such dances.
The use of musical instruments symbolically reflects the community’s voice. The bandoneón, a signature in tango music, is particularly emphasized as crying out in pain, symbolizing the collective struggle and heartache of the neighborhood. The imagery of a milonga being the lover and street lamps as onlookers personifies the settings and experiences as living parts of the narrative. The engagement of male and female in the dance, while a knife fight ensues, represents the duality of beauty and violence deeply ingrained in the culture—a dance of love and betrayal.
The cultural fabric of Argentina in 1967, especially in its urban centers like Buenos Aires, vibrated with the throbbing pulses of tango. This period was marked by a powerful blend of traditional values and a gritty reality of socio-political undercurrents. Tango, more than just a dance, was an expression of the lives of the marginalized. Through “Me vio tu barrio,” the neighborhood bears witness to humanity’s facets, spanning romance, anguish, and conflict. The mention of the ‘callejón’ (alley) and ‘tano’ (slang for Italian immigrants) references the makeup of Buenos Aires neighborhoods rich with immigrant influences, often from Italy, highlighting the cosmopolitan blend of its demography.
Franco Lanata was an Argentine lyricist known for capturing the soul of urban life and emotions through his tango compositions, deeply embedding them within the Argentine cultural milieu.