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Me quedé mirándola

Me quedé mirándola is a Tango written by Vicente Spina and recorded by José Basso in 1965. The Tango Me quedé mirándola is written by Vicente Spina, José Basso has recorded Me quedé mirándola with the singer Alfredo Belusi.
“Me quedé mirándola,” translates to “I stayed looking at her.” The piece captures the haunting melody of longing, where each note lingers like a gaze that can’t turn away. It evokes the poignant moment when time pauses, enveloping the listener in the silent, endless dialogue between the heart and the one who captivates it.

Tango

Style

José Basso

Orchestra

Alfredo Belusi

Singer

Roberto Miró

Author

Vicente Spina

Composer

1965/1/1

Date

Alfredo Belusi
Alfredo Belusi
José Basso
José Basso

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Alfredo De Angelis – La criolla – 1957/5/23
Alfredo De Angelis – La clueca – 1956/7/20
Edgardo Donato – Ruego – 1934/2/9
Edgardo Donato – La tablada – 1936/8/6
Edgardo Donato – Mi soberana – 1931/1/1
Edgardo Donato – Fuegos artificiales – 1954/12/17
Edgardo Donato – El embrujao – 1932/1/1
Enrique Rodríguez – El guardián – 1970/5/12
Enrique Rodríguez – Qué chuchi – 1955/5/4
Enrique Rodríguez – Maria (2) – 1940/12/13
Enrique Rodríguez – Adiós adiós amor – 1956/10/8
Enrique Rodríguez – Rezongando rezongando – 1944/7/20
Roberto Firpo – Usted me quiere – 1930/6/7
Roberto Firpo – De vuelta al pago – 1940/4/25
Roberto Firpo – Lobo de mar – 1935/4/15
Roberto Firpo – Ave negra – 1930/5/28
Roberto Firpo – Llora malevo – 1928/4/25

Recommended

These Tangos, Valses, and Milongas were recorded around the same time. Take a look to discover what else this orchestra—or others—may have recorded during the same week or even on the exact same day.

Me quedé mirándola recorded by other Orchestras

Me quedé mirándola recorded by other Orchestras

1965/1/1 – Que falta que me haces – Miguel Calo
1965/1/1 – Caminito – Miguel Calo
1965/1/1 – A media luz – Miguel Calo
1965/1/1 – A media luz – Miguel Calo
1965/1/1 – Adios pampa mia – Miguel Calo
Me quede mirandola – 1945/3/21 – Lucio Demare – Horacio Quintana
Me quede mirandola – 1945/5/25 – Rodolfo Biagi – Alberto Amor
Me quede mirandola – 1965/1/1 – Jose Basso – Alfredo Belusi

Lyrics Translation of the Tango Me quedé mirándola

This is the translation of the Tango “Me quedé mirándola” from Spanish to English. The English lyrics of the Tango “Me quedé mirándola” have been done with AI.

Letra del Tango Me quedé mirándola

Después de un año atroz de soledad
volvimos a encontrarnos sin querer,
de pronto los recuerdos de otros días
que cantaba y que reía
acudieron en tropel.
Mis labios balbucearon con temor,
los ojos le contaron mi dolor,
mis ansias de encontrarla fueron tantas
que oprimida la garganta
me quedé mirándola.

Inútiles senderos fueron todos
caminos recorridos sin vivir,
bordeados de dudas y dolores
y sólo sinsabores aumentan mi sufrir.
Mas, ya no espero nada de la vida
ni ahora que la encuentro puede ser,
lo dice su mirada distraída
que he matado para siempre
Lo que fuera su querer.

Aquel ensueño roto del ayer
no puede ya volver a florecer,
la tengo ante mis ojos esta tarde
y comprendo que no hay nadie
en mi triste anochecer.
Ha vuelto sin llegar la que esperé
la encuentro nuevamente y ya se va,
sabiendo que en su adiós está mi ruina
se alejó y de la esquina,
me quedé mirándola.

English lyrics of the Tango "Me quedé mirándola"

After a harsh year of loneliness,
we found each other without meaning to,
suddenly the memories of other days
when I sang and laughed
rushed back in a crowd.
My lips stuttered with fear,
my eyes told her of my pain,
my yearning to find her was so great
that with a choked throat,
I just kept looking at her.

Futile were all paths taken,
roads traveled without truly living,
lined with doubts and pain,
and only bitterness increased my suffering.
Yet, now I expect nothing from life,
not even now that I’ve found her, it could be,
her distracted gaze says
that I have forever killed
what was once her love.

The broken dream of yesterday
cannot blossom again,
I have her before my eyes this evening
and I realize there is no one
in my sad dusk.
The one I waited for has returned without arriving,
I meet her again and she is leaving,
knowing that her goodbye is my doom,
she walked away and from the corner,
I just kept looking at her.

Me quedé mirándola by Roberto Miró

Me quedé mirándola is a Tango written by Roberto Miró and composed by Vicente Spina.



Story behind the Tango Me quedé mirándola

The Tango “Me quedé mirándola” captures a poignant narrative of a reunion with a lost love, marked by the lingering devastation of separation and unhealed wounds. The lyrics describe an unexpected encounter after a year of profound solitude, highlighting the mixed emotions of joy, pain, and nostalgia. The protagonist experiences a torrent of memories, but is overpowered by present emotions and ultimately left speechless and merely observing his lost love—captured in the phrase “me quedé mirándola,” which translates to “I just kept looking at her.”



Symbolism of Me quedé mirándola

The tango is rich in symbolism and emotive language that underscores the theme of irretrievable loss and unfulfilled love. “Inútiles senderos” (useless paths) symbolizes the futile attempts and directionless journeys undertaken by the protagonist post-separation. These paths are “bordeados de dudas y dolores” (bordered by doubts and pains), emphasizing the constant hurt and uncertainty he endures. The repeated use of vision and observation, particularly the phrase “me quedé mirándola,” emphatically symbolizes the distance between the past and the present, and the irreversible nature of their separation. The notion of silence and being speechless (“oprimida la garganta”) powerfully conveys the depth of his unspoken grief.



Me quedé mirándola in historical context

The Tango, created in 1965 in Argentina, comes from an era deeply influenced by social and cultural shifts. During this time, Tango music often resonated with themes of melancholy, nostalgia, and the socio-economic struggles faced by many Argentinians. The emotional weight and the themes of loss and yearning expressed in “Me quedé mirándola” reflect broader societal sentiments of disillusionment and the pain of the unattainable, mirroring a collective understanding of hardship and emotional struggle prevalent in the Argentine culture during the 1960s.



Roberto Miró

Roberto Miró was a renowned Argentine tango lyricist and director known for his deeply emotive and often melancholic lyrics.