Me llamo como me llamo by Miguel Bucino

Me llamo como me llamo is a Tango written and composed by Miguel Bucino.

Story behind the Tango Me llamo como me llamo

“Me llamo como me llamo” translates to “I am called what I am called” in English, a title which underlines the theme of authenticity and identity. This tango narrates the self-assurance of an individual proud of their inherent character, revealed by the simple actions of helping others without being summoned. The lyrics communicate a strong sense of community and the values of benevolence and integrity, suggesting that the persona values these qualities over a grand or illustrious reputation.

Symbolism of Me llamo como me llamo

The symbolism in the phrase “Me llamo como me llamo” strengthens the sense of self-identity and resilience in the face of life’s challenges. The references to the “guardia vieja,” or old guard, signify a deep connection to the traditional values of tango, evoking nostalgia and a sense of belonging. The figure of the “cuarteador,” traditionally someone who assists in the rural practice of herding, symbolizes assistance and guidance, suggesting that the singer takes pride in their role of helping others as a fundamental part of their identity.

Me llamo como me llamo in historic Context

Written in 1950 in Argentina, “Me llamo como me llamo” incorporates a period when tango was intertwining with national identity. Post-World War II Argentina was marked by political and social change, mirroring the tango’s transformation from a dance of the lower classes to a critical emblem of Argentine culture. This tango, with its embrace of traditional values and simultaneous acknowledgment of both “suburbio” (the outskirts) and “también del centro” (the center), showcases a cultural unity, reflecting the overarching societal striving for stability and identity during evocative times.

Miguel Bucino

Miguel Bucino was a tango composer who infused his works with deep personal and cultural insights.