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Marisabel

Marisabel is a Vals written by Carlos Vicente Geroni Flores and recorded by Ricardo Tanturi in 1942. The Vals Marisabel is written by Carlos Vicente Geroni Flores, Ricardo Tanturi has recorded Marisabel with the singer Alberto Castillo.
“Marisabel,” translating to “Mary Isabel” in English, dances through the air like a whisper carried on the wind. The name embodies grace, a melody sweet yet strong, resonating with the spirit of the sea and earth intertwined. It evokes a delicate tango of light and shadow, echoing the elegance and strength captured in its harmonious notes.

Vals

Style

Ricardo Tanturi

Orchestra

Alberto Castillo

Singer

Claudio Frollo

Author

Carlos Vicente Geroni Flores

Composer

1942/9/15

Date

Alberto Castillo
Alberto Castillo
Ricardo Tanturi
Ricardo Tanturi

Discover Other Orchestras

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Aníbal Troilo – Yo soy del treinta – 1964/12/22
Aníbal Troilo – Bien milonga – (unknown date)
Aníbal Troilo – Margarita Gauthier – 1943/3/11
Aníbal Troilo – La última – 1957/9/25
Osmar Maderna – Nube gris – 1949/12/14
Osmar Maderna – Cuando no te quiere nadie – 1949/9/29
Osmar Maderna – La cautiva – 1950/11/8
Osmar Maderna – Quién eres tú – 1947/7/2
Osmar Maderna – Loca bohemia – 1947/3/28
Horacio Salgán – Yo soy el mismo – 1952/9/16
Horacio Salgán – Del uno al cinco – 1965/1/1
Horacio Salgán – Lo han visto con otra – 1969/1/1
Horacio Salgán – El entrerriano – 211/12/1
Horacio Salgán – La casita de mis viejos – 1957/7/17
Orquesta Símbolo Osmar Maderna – Escalas en azul – 1959/6/17
Orquesta Símbolo Osmar Maderna – Lucecitas de mi pueblo – 1959/6/30
Orquesta Símbolo Osmar Maderna – Canción de lluvia – 1959/7/8
Orquesta Símbolo Osmar Maderna – Yo te bendigo – 1959/8/18
Orquesta Símbolo Osmar Maderna – Pa’ la guardia – 1959/6/30

Recommended

These Tangos, Valses, and Milongas were recorded around the same time. Take a look to discover what else this orchestra—or others—may have recorded during the same week or even on the exact same day.

1942/9/15 – Como se pianta la vida – Ricardo Tanturi
1942/9/16 – Buen amigo – Julio De Caro
1942/9/17 – La viudita de la esquina – Enrique Rodriguez
1942/9/17 – En un bosque de la China – Jose Garcia
1942/9/17 – No pudo ser – Jose Garcia

Lyrics Translation of the Vals Marisabel

This is the translation of the Vals “Marisabel” from Spanish to English. The English lyrics of the Vals “Marisabel” have been done with AI.

Letra del Vals Marisabel

Por el modo tan raro de hablar
presentí la tragedia interior
y besando su nuca preciosa,
le dije: Celosa, ¿me guardas rencor?
Si motivan tu grave inquietud
mis sonetos y cantos a Esther,
en confianza te juro al oído,
Esther eres tú, mi Marisabel.

Serás siempre mi reina y señora,
no existen Amalia, Susana ni Esther.
Mis sonetos inspiras tú sola
con nombres distintos, mi Marisabel.

Se apartó los cabellos y vi
su carita nimbada de luz,
palpitante su seno de virgen,
me dijo llorosa: Mi vida eres tú.
Te idolatro y no quiero pensar
que otra inspire tus versos de amor.
Y atrayéndome, suave, hacia ella
sus labios de seda me ofreció.

English lyrics of the Vals "Marisabel"

By the strange way you spoke,
I sensed your inner tragedy,
and kissing your precious nape,
I said: Jealous one, do you hold a grudge against me?
If my sonnets and songs to Esther
cause your deep unrest,
I swear to you in confidence,
Esther is you, my Marisabel.

You will always be my queen and lady,
there are no Amalia, Susana, nor Esther.
You alone inspire my sonnets
with different names, my Marisabel.

She brushed back her hair and I saw
her little face haloed in light,
her virgin chest throbbing,
she said tearfully: You are my life.
I adore you and do not want to think
that another inspires your verses of love.
And drawing me gently to her,
she offered her silky lips.

Marisabel by Claudio Frollo

Marisabel is a Tango written by Claudio Frollo and composed by Carlos Vicente Geroni Flores.


Story behind the Tango Marisabel

The lyrics of “Marisabel” unveil a poignant story wherein the narrator addresses Marisabel’s concealed jealousy and insecurities regarding his poetic musings about other women named in his verses. To soothe her, he confesses that these names – Amalia, Susana, and Esther – are merely poetic devices, and that she, Marisabel, is their true muse. The tango captures this intimate revelation and reassures Marisabel of her singular place in his heart, embodying both a confession and a romantic reaffirmation.


Symbolism of Marisabel

“Marisabel” is rich in symbolic language. Phrases like “besando su nuca preciosa,” which translates to “kissing her precious nape,” evoke a sense of intimacy and affection, highlighting the deep emotional connection between the narrator and Marisabel. The lyric “Se apartó los cabellos y vi su carita nimbada de luz” uses light as a symbol for truth and purity, revealing Marisabel’s true emotions when she understands her significance in his life. Here, hair symbolizes a veil over her deeper insecurities which, when removed, illuminates her understanding of his true feelings.


Marisabel in historic Context

Recorded in 1942, a period when tango culture flourished in Argentina, “Marisabel” reflects the typical sentimental and romantic themes of the era, often focusing on personal and intimate relationships. Historically, this period saw Buenos Aires as a vibrant hub for tango music, with lyrics often delving into personal tales of love, sorrow, and everyday life. This backdrop enriches the emotional depth of the song, providing a cultural lens to appreciate the subtleties of the narrator’s poetic dedications to Marisabel.


Claudio Frollo

Claudio Frollo, a notable figure in the tango world, crafted emotional and heartfelt tango lyrics that resonated deeply with the Argentine public.