Marina is a Tango written by Dorival Caymmi and recorded by Miguel Caló in 1959. Miguel Caló has recorded Marina as an instrumental Tango.
“Marina,” meaning “Sea” in English, evokes a vastness and depth that mirrors the ocean’s embrace. Her rhythm is the tidal dance, reflecting love’s undulating sway, pulling and releasing, never ceasing. In each note lies the serenity and mystery of the deep blue, whispering secrets that only the heart can truly decipher.
These Tangos, Valses, and Milongas were recorded around the same time. Take a look to discover what else this orchestra—or others—may have recorded during the same week or even on the exact same day.
Marina is an instrumental Tango composed by Dorival Caymmi.
Interpretation of Marina
The name “Marina” evokes an ambiance rich with the fluidity and passion of the sea—a fitting muse for an instrumental tango. In this piece, “Marina” could symbolize the vast and ever-changing tides of emotion expressed through tango music. The orchestra, under Miguel Caló’s direction, would likely interpret “Marina” as a vibrant interplay of strings, piano, and bandoneón, echoing the undulating waves and shifting winds. With Caymmi’s composition, the piece might navigate between serene melodies and tempestuous rhythms, capturing the essence of a dynamic, oceanic dance.
Miguel Caló and Marina
Miguel Caló’s rendition of “Marina” would bring out the emotional depth of the piece by emphasizing its unique tango characteristics. Known for his refined and innovative arrangements, Caló’s orchestra would infuse “Marina” with a balanced blend of traditional tango flair and modern orchestral nuances. The music would unfold in layers, beginning with a gentle introduction and building towards more complex, interwoven patterns of sound. This interpretation would underscore the invisible dance of the ocean waves and their eternal appeal, making “Marina” a memorable auditory experience.