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Manos heridas

Manos heridas is a Tango written by Luciano Leocata and recorded by Juan D’Arienzo in 1961. The Tango Manos heridas is written by Luciano Leocata, Juan D’Arienzo has recorded Manos heridas with the singer Jorge Valdez.
“Manos Heridas” translates to “Wounded Hands” in English. This evocative title suggests a story of toil and sacrifice, where hands bear the scars of love’s labors or life’s relentless challenges. The music captures the essence of vulnerability and strength, weaving a tale of resilience and the silent songs carried by hands weathered by time.

Tango

Style

Juan D'Arienzo

Orchestra

Jorge Valdez

Singer

Eduardo Rey

Author

Luciano Leocata

Composer

1961/11/28

Date

Jorge Valdez
Jorge Valdez
Juan D'Arienzo
Juan D’Arienzo

Discover Other Orchestras

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Lucio Demare – La cachila – 1957/1/1
Lucio Demare – Igual que un bandoneón – 1945/1/3
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Mi noche triste – 1952/6/18
Lucio Demare – Soy muchacho de la guardia – 1942/9/3
José Garcia – Junto a tu corazón – 1942/7/27
José Garcia – Fea – 1942/1/23
José Garcia – Si alguna vez – 1943/12/11
José Garcia – En un bosque de la China – 1942/9/17
José Garcia – Lloran las campanas – 1944/6/1
Astor Piazzolla – El marne – 1957/1/1
Astor Piazzolla – Pigmalion – 1947/1/27
Astor Piazzolla – Marrón y azul – 1955/1/1
Astor Piazzolla – La muerte del ángel – 1982/5/30
Astor Piazzolla – Adiós Nonino – 1987/1/1
Horacio Salgán Y Dante Amicarelli – Ritmo fascinante (Vertigo ciudadano) – 1970/1/1
Horacio Salgán Y Dante Amicarelli – Amarraditos – 1970/1/1
Horacio Salgán Y Dante Amicarelli – Caravana – 1971/1/1
Horacio Salgán Y Dante Amicarelli – Juego de damas – 1971/1/1
Horacio Salgán Y Dante Amicarelli – En bateau – 1970/1/1

Recommended

These Tangos, Valses, and Milongas were recorded around the same time. Take a look to discover what else this orchestra—or others—may have recorded during the same week or even on the exact same day.

1961/11/28 – Yo me presento aqui – Juan D-Arienzo
1961/11/28 – Como dos extranos – Jose Basso
1961/11/28 – La camalela – Jose Basso
1961/12/1 – Candombe blanco – Osvaldo Pugliese
1961/12/1 – Festejando – Osvaldo Pugliese

Lyrics Translation of the Tango Manos heridas

This is the translation of the Tango “Manos heridas” from Spanish to English. The English lyrics of the Tango “Manos heridas” have been done with AI.

Letra del Tango Manos heridas

Benditas las manos, manos creadoras
Que por el trabajo heridas están,
Yo quiero ofrendarles mis humildes versos
O si es que por ello se pueden llagar.

Las manos lujosas y a veces heridas
Tenía mi padre de tanto luchar,
Y en la mesa humilde, del hogar materno
Jamás ha faltado un trozo de pan.

Por eso feliz, le canto a las manos
Con una esperanza, con una ilusión,
Que manos heridas sigan siendo siempre
Símbolo de paz, como es el amor.

English lyrics of the Tango "Manos heridas"

Blessed be the hands, creative hands
Wounded by the work they stand,
I want to offer them my humble verses
Or if by doing so, they can be hurt further.

Luxurious yet sometimes wounded hands
My father had from constant struggling,
And on the humble table, at our maternal home
There has never lacked a piece of bread.

Therefore, happily, I sing to the hands
With hope, with a dream,
That wounded hands may always remain
A symbol of peace, as is love.

Manos heridas by Eduardo Rey

Story behind the Tango Manos heridas

Manos heridas,” or “Wounded Hands,” as translated into English, is a poignant tribute to the toil and struggles of the working class. Eduardo Rey, through his lyrics, bestows a sacred aura on “blessed creating hands” that have borne wounds because of labor. The song highlights respect and deep appreciation towards the hard work typically overlooked or undervalued in society. Rey uses his lyrics to offer his modest verses as a token of gratitude to these hands, symbolizing the pure essence of laborious sacrifice.


Symbolism of Manos heridas

The symbolism in “Manos heridas” is deeply embedded in the reverence for working hands. The hands, wounded from work, are not just a literal portrayal but a metaphor for life’s struggles and the human condition. Hands, often used as a symbol of creation and action, here represent the tireless, sometimes painful contributions to family and society. The phrase “las manos lujosas y a veces heridas” suggests a dichotomy between opulence and suffering, hinting at the sacrifices behind superficial success. The enduring presence of bread at the family table symbolizes stability and provision achieved through constant effort.


Manos heridas in historic Context

Recorded in 1961 Argentina, “Manos heridas” captures the sentiments and social climate of a period marked by political shifts and a complex social landscape. During this time, Argentina faced significant economic and political reforms which often led to labor disputes and a heightened awareness of workers’ rights and economic disparities. This tango, with its focus on the dignity of labor amidst hardship, mirrors the societal acknowledgment of the working class’s role in building the nation amidst ongoing societal struggles. The cultural reverence for tango music as an expression of deeper social and emotional undercurrents finds a powerful voice in Rey’s lyrics, resonating with a common man’s everyday trials and triumphs.


Eduardo Rey

Eduardo Rey was a poignant lyricist known for capturing deep emotional and societal nuances within the concise format of tango lyrics. His work often reflected themes of love, sorrow, and societal commentary.