Fabrice Knecht Tango DJ
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These Tangos, Valses, and Milongas were recorded around the same time. Take a look to discover what else this orchestra—or others—may have recorded during the same week or even on the exact same day.
Manos adoradas is a Tango written by Horacio Sanguinetti and composed by Roberto Rufino.
“Manos adoradas” (Adored Hands) dives deeply into the poignant relationship between the narrator and his mother, highlighting her enduring work and sacrifice. This poetic tango reminisces about a mother’s loving hands, symbolizing her selflessness and dedication through the physical and emotional labor she performs. The evocative recollection of her hands brings to life the warmth and love that they represent, overcoming the physical distance the narrator feels in moments of loneliness.
The hands of the mother are central to this tango’s symbolism. Not depicted as delicate or ornate, they are rugged, worn, and constantly active – a direct testament to her hard work and nurturing spirit. The imagery of hands tapping into themes of care (“tapándome la espalada en el invierno cruel”) and devotion extends beyond mere praise, transforming them into a profound symbol of motherly love and sacrifice. These hands that fed, cared, and worked tirelessly evoke deep emotional reverence and an eternal bond that distance cannot diminish.
Created in the culturally rich era of Argentina in 1952, “Manos adoradas” reflects the traditional values of respect and appreciation towards family matriarchs. This period saw the reaffirmation of domestic values amidst evolving social norms. The song not only tells a personal story but also resonates with the broader societal acknowledgment of the mother’s role as the heart of the family and a key figure in nurturing and maintaining the household’s welfare during a time when the fabric of society was under transformation.
Horacio Sanguinetti was a notable figure in the Argentinian tango scene, known for his poignant lyricism and deep respect for traditional tango themes.