Manoblanca (Mano blanca) by Homero Manzi

Manoblanca (Mano blanca) is a Tango written by Homero Manzi and composed by Antonio De Bassi.

Story behind the Tango Manoblanca (Mano blanca)

The lyrics of “Manoblanca” narrate the journey of a cart driver from the barrio (neighborhood) of Once, traversing the streets of southern Buenos Aires. The cart, drawn by a pair of roan horses, displays the driver’s initials painted by hand. The narrative evokes a vivid scene of urban Buenos Aires in the mid-20th century, emphasizing the working-class elements and the bustling city environment where the driver is both a participant and an observer.

Symbolism of Manoblanca (Mano blanca)

The title “Manoblanca” itself, which means “white hand” in English, could symbolize purity, simplicity, and the honest labor of the drivers and workers in the city. There is an intimate detail of the driver having a sprig of rue behind his ear, a plant often associated with protection and health, which might signify the driver’s hope for safety and prosperity. Furthermore, the star of bronze nailed on the leather shoes of the driver could represent a badge of honor, indicative of pride and dignity in his laborious vocation.

Manoblanca (Mano blanca) in Historic Context

Written and recorded in 1944, a time of significant social and political change in Argentina, “Manoblanca” subtly reflects the social realities of Buenos Aires. The neighborhoods mentioned, Once and Centenera, and the streets of the South capture the spirit of the working-class, depicting their daily life and hopes. The era was marked by the rising figure of Juan Domingo Perón and a burgeoning sense of identity and rights among the working class, themes softly echoed in the dignity and identity the driver finds in his work and connection to the city.

Homero Manzi

Homero Manzi was a prominent Argentine tango lyricist and film director, renowned for his profound and evocative lyrics that capture the essence of urban life and the landscapes of his country.