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Mandria

Mandria is a Tango written by Juan Rodríguez and recorded by Juan D’Arienzo in 1957. The Tango Mandria is written by Juan Rodríguez, Juan D’Arienzo has recorded Mandria with the singer Mario Bustos.
“Mandria” translates to “Sluggishness” in English. This piece effortlessly captures a languid dance of shadows at twilight, where time seems to stretch and moments linger like a lazy afternoon sunbeam. Its gentle, meandering melody whispers tales of serene indolence, inviting listeners to sink into a blissful stillness and embrace the art of doing nothing.

Tango

Style

Juan D'Arienzo

Orchestra

Mario Bustos

Singer

Francisco Brancatti

Author

Juan Rodríguez

Composer

1957/6/29

Date

Mario Bustos
Mario Bustos
Juan D'Arienzo
Juan D’Arienzo

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Mandria recorded by other Orchestras

Mandria recorded by other Orchestras

Lyrics Translation of the Tango Mandria

This is the translation of the Tango “Mandria” from Spanish to English. The English lyrics of the Tango “Mandria” have been done with AI.

Letra del Tango Mandria

Tome mi poncho… No se aflija…

¡Si hasta el cuchillo se lo presto!

Cite, que en la cancha que usté elija

he de dir y en fija

no pondré mal gesto.



Yo con el cabo ‘e mi rebenque

tengo ‘e sobra pa’ cobrarme…

Nunca he sido un maula, ¡se lo juro!

y en ningún apuro

me sabré achicar.



Por la mujer,

creamé, no lo busqué…

Es la acción

que le viché

al varón

que en mi rancho cobijé…

Es su maldad

la que hoy me hace sufrir:

Pa’ matar

o pa’ morir

vine a pelear

y el hombre ha de cumplir.



Pa’ los sotretas de su laya

tengo güen brazo y estoy listo…

Tome… Abaraje si es de agaya,

que el varón que taya

debe estar previsto.

Esta es mi marca y me asujeto.

¡Pa ‘ qué pelear a un hombre mandria!

Váyase con ella, la cobarde…

Dígale que es tarde

pero me cobré.

English lyrics of the Tango "Mandria"

Take my poncho… Don’t fret…

I’d even lend you my knife!
Name the place, any spot you choose
I’ll show without excuse,
Never wearing a frown.

With the handle of my whip,
I’ve got more than enough to settle the score…
I’ve never been a coward, I swear!
In any trouble,
I won’t back down.

For the woman,
believe me, I didn’t seek it…
It was the act
I spotted
in the man
I sheltered in my home…
It’s his evil
that today causes me pain:
To kill
or to die
I came to fight
and a man must keep his word.

For the crooks of your kind,
I have strong arms and I’m ready…
Take… Step up if you dare,
because a man who’s cut
should be prepared.
This is my mark and I submit.
Why fight a worthless man?
Go with her, the coward…
Tell her it’s late
but I’ve settled my debt.

Mandria by Francisco Brancatti

Mandria is a Tango written by Francisco Brancatti and composed by Juan Rodríguez.



Story behind the Tango Mandria

“Mandria,” a profound and stirring tango, narrates a tale of betrayal and confrontation. The lyrics reveal a man who is addressing someone who has betrayed him by becoming involved with a woman whom the speaker has sheltered in his ranch. The man is prepared to fight, suggesting a duel, because the pride and the traditional male code of honor demand that he must defend his dignity and resolve the situation. He articulates this challenge using the symbolic act of loaning his knife, choosing the field for the duel, and expressing readiness to face the situation without cowardice.



Symbolism of Mandria

The most striking symbol in “Mandria” is the poncho and the knife, both of which are emblematic of gaucho culture in Argentina, symbolizing the rustic lifestyle and the readiness to face life’s challenges, including conflicts of honor. The mention of the ‘rebenque’ (a type of whip used by gauchos) emphasizes self-reliance and preparedness. ‘Mandria’ here is not just used in its typical sense meaning ‘sloth’ or ‘laziness’ but indicates cowardice and deceit, contrasting sharply with the narrator’s representation of himself as honorable and straightforward.



Mandria in historic Context

The tango “Mandria” was created in 1957, a time when Argentine society was undergoing significant transitions, with the fall of Perón and the subsequent military coup leading to societal reflections on values like loyalty and honor. Tango music, often a reflection of social sentiments, here delves into personal integrity and courage, which mirrored larger societal questions about moral behavior and justice. The setting, likely rural Argentina, where traditional values held sway more strongly, adds depth to the narrative of personal courage and honor.



Francisco Brancatti

Francisco Brancatti was an influential lyricist in the Argentine tango scene, known for his deeply evocative and often poignant lyrics.