Mandria by

Mandria is a Tango written by and composed by Juan Rodríguez.

Story behind the Tango Mandria

The tango “Mandria” unfolds a dramatic scene charged with themes of betrayal, honor, and confrontation. The narrative centers on a protagonist ready to duel over lost love and personal dignity. They grapple with feelings of betrayal and disdain for the perceived cowardice of their opponent. The lyrics suggest an intense emotional backdrop where the protagonist is prepared to stake their claim, highlighting themes of masculinity, pride, and vengeance.

Symbolism of Mandria

The lyrics are rich with symbolic language, depicting a scene of masculine rivalry and personal honor. “Tome mi poncho… No se aflija… ¡Si hasta el cuchillo se lo presto!” suggests a readiness to face confrontation, emblematic of the Argentine gaucho’s valor. The refusal to “achicar” (back down) signifies tenacity and courage. The “cabo ‘e mi rebenque” (the end of my whip) is a powerful symbol of authority and readiness to defend one’s honor. The “mandria,” or coward, in the lines represents disdain for betrayal and weakness. The emotional core deals with dignity and retribution within the context of love and betrayal.

Mandria in historic Context

Set in Buenos Aires in the late 1930s, a period known for its rich cultural expansion in tango music, the tango reflects the socio-cultural fabric of the time. Argentina, particularly Buenos Aires, was experiencing social shifts and an evolving tango scene where storytelling and emotional narratives were central to the genre. In this era, tango often explored themes of passion, betrayal, and emotional complexity, mirroring social realities and personal dramas faced by many.

Juan Rodríguez was a significant composer of the early 20th century, known for his contributions to the tango genre by composing evocative melodies that powerfully complemented the emotive lyricism the form is renowned for.