Mañana por la mañana by Juan García

Mañana por la mañana is a Tango written by Juan García and composed by Emilio Brameri.

Story behind the Tango Mañana por la mañana

“Mañana por la mañana” captures a mix of affectionate and playful emotions involving a romantic pursuit. The lyrics tell a story of a man recounting his initial encounter and subsequent interactions with a woman named Juana. They highlight the progression from a simple meeting, through moments of resistance, to an eventual acceptance under the condition of marriage. This narrative revolves around personal memories and unmentioned sentiments which deepen the emotional connection between the characters.

Symbolism of Mañana por la mañana

The song employs playful symbolism to depict romantic intent and admiration through the repeated desire to see “the tip of the foot,” which humorously extends to wanting to see more of the beloved, such as “the knee and the calf.” These phrases whimsically symbolize a deeper yearning and admiration that goes beyond mere physical aspects, touching on the intimacy and closeness that the protagonist seeks. The insistence on marriage before further intimacy “Si hay compromiso matrimonial” imbues the relationship with traditional values, emphasizing commitment.

Mañana por la mañana in historic Context

Composed in 1947, post-World War II, in Argentina, the tango “Mañana por la mañana” reflects the social and cultural norms of the time. During this period, Argentina was undergoing significant changes, with a vibe of hope and reconstruction prevalent worldwide. The emphasis on marriage before intimacy might reflect the conventional values prevalent in Argentine society at that time. Furthermore, tangos like these played a role in considering the emotional revival and providing a social commentary through music and lyrics.

Juan García

Juan García was an influential lyricist in the Argentine Tango scene, known for his evocative and often romantic lyrics.