Fabrice Knecht Tango DJ
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These Tangos, Valses, and Milongas were recorded around the same time. Take a look to discover what else this orchestra—or others—may have recorded during the same week or even on the exact same day.
Mama yo quiero un novio is a Tango written by Roberto Fontaina and composed by Ramón Collazo.
The lyrics of “Mama yo quiero un novio” reflect a young woman’s frustration with the refined, well-groomed men she encounters, expressing a yearning for a more authentic and rugged partner. She seeks a ‘milonguero’ (tango dancer) who is charismatic and traditionally masculine, without the trappings of high society such as gelled hair or English tobacco. Her ideal man is one who understands the street slang and embodies the spirit of the tango culture, someone who can engage in the playful, verbal sparring known as ‘chamuyo’. This dialogue captures a desire to break from societal expectations and find authenticity in a partner who shares her cultural roots.
The symbolism in the song is rich with Argentine tango culture. The references to not using ‘gomina’ (hair gel) and not smoking ‘tabaco inglés’ (English tobacco) symbolize a rejection of foreign influences and upper-class pretensions. The ideal novio is described with distinctly local touches, such as ‘gacho ladeado’ (tilted hat) and ‘trencilla en el pantalón’ (braids on the trousers), embodying the authentic porteño (person from Buenos Aires) spirit. The repeated wish for a boyfriend who ‘al bailar se arrugue como un bandoneón’ (wrinkles up like a bandoneon when dancing) uses the iconic tango instrument as a metaphor for emotional depth and complexity, evoking images of passionate tango dances where both partners are deeply connected and responsive to the music and each other.
The tango “Mama yo quiero un novio” was recorded in 1928, a period when Argentina was experiencing significant social changes with the influx of European immigrants and the rural population migrating to urban centers like Buenos Aires. This cultural melting pot influenced the tango scene, which was itself a blend of various musical and cultural traditions. The tango became a space for expressing identity, resistance, and the negotiation between tradition and modernity. The song’s lyrics rejecting ‘refined’ men in favor of a ‘milonguero’ reflect a broader societal commentary on the changing values and the aspiration to preserve distinctly Argentine cultural elements in the face of globalization.
Roberto Fontaina was an influential lyricist in the Argentine tango scene, known for his ability to capture the essence of Buenos Aires’ street culture in his works.