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Mama yo quiero un novio

Mama yo quiero un novio is a Tango written by Ramón Collazo and recorded by Orquesta Típica Victor in 1928. The Tango Mama yo quiero un novio is written by Ramón Collazo, Orquesta Típica Victor has recorded Mama yo quiero un novio with the singer Roberto Díaz.
“Mama yo quiero un novio” translates to “Mama, I want a boyfriend” in English. This heartfelt plea captures the yearning and desire for companionship, painting a picture of youthful longing and the pursuit of love. The music, whether a lively tango or a soulful ballad, evokes a blend of innocence and hope, resonating with the universal quest for connection and affection.

Tango

Style

Orquesta Típica Victor

Orchestra

Roberto Díaz

Singer

Roberto Fontaina

Author

Ramón Collazo

Composer

1928/12/17

Date

Roberto Díaz
Roberto Díaz
Orquesta Típica Victor
Orquesta Típica Victor

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Mama yo quiero un novio recorded by other Orchestras

Mama yo quiero un novio recorded by other Orchestras

Lyrics Translation of the Tango Mama yo quiero un novio

This is the translation of the Tango “Mama yo quiero un novio” from Spanish to English. The English lyrics of the Tango “Mama yo quiero un novio” have been done with AI.

Letra del Tango Mama yo quiero un novio

Cansada de los gomina,

los niños bien y fifí,

ayer oí que una piba

con bronca cantaba así:



Mama, yo quiero un novio

que sea milonguero, guapo y compadrón,

que no se ponga gomina

ni fume tabaco inglés,

que pa’ hablar con una mina

sepa el chamuyo al revés.

Mama, si encuentro ese novio

juro que me pianto aunque te enojés.



Ayer un mozo elegante

con pinta de distinguido

demostrando ser constante

desde el taller me ha seguido,

mas cuando estuvo a mi lado

me habló como un caramelo

del sol, la luna y el cielo

y lo pianté con razón.



Mama, yo quiero un novio

que sea milonguero, guapo y compadrón,

de los del gacho ladeado,

trencilla en el pantalón,

que no sea un almidonado

con perfil de medallón.

Mama, yo quiero un novio

que al bailar se arrugue como un bandoneón.



Yo quiero un hombre copero,

de los del tiempo del jopo,

que al truco conteste quiero

y en toda banca va al copo.

Tanto me da que sea un pato

y si mi novio precisa

empeño hasta la camisa

y si eso es poco, el colchón.



Mama, yo quiero un novio

que sea milonguero, guapo y compadrón.

English lyrics of the Tango "Mama yo quiero un novio"

Tired of the slicked-back gents,
the posh boys and the snobs,
yesterday I heard a girl
singing angrily like this:

Mama, I want a boyfriend
who’s a tango dancer, handsome and bold,
who doesn’t use hair gel
nor smokes English tobacco,
who knows how to sweet-talk a girl
with cheeky charm reversed.
Mama, if I find that boyfriend
I swear I’ll elope even if you get mad.

Yesterday a stylish waiter
looking distinguished
proving his persistence
followed me from the workshop,
but when he was beside me
he spoke sweetly
of the sun, the moon and the sky
and I rightly ditched him.

Mama, I want a boyfriend
who’s a tango dancer, handsome and bold,
with his hat tipped to one side,
braided trousers he owns,
not one stiff with medals
and a stiff upper lip.
Mama, I want a boyfriend
who crumples up like a bandoneon when we dance.

I want a man who’s a good-time charlie,
from the era of cool hair,
one who answers “I want” to a card trick
and bets boldly every time.
I don’t care if he’s broke
and if my boyfriend needs
I’ll pawn even my shirt
and if that’s not enough, the mattress too.

Mama, I want a boyfriend
who’s a tango dancer, handsome and bold.

Mama yo quiero un novio by Roberto Fontaina

Mama yo quiero un novio is a Tango written by Roberto Fontaina and composed by Ramón Collazo.



Story behind the Tango Mama yo quiero un novio

The lyrics of “Mama yo quiero un novio” reflect a young woman’s frustration with the refined, well-groomed men she encounters, expressing a yearning for a more authentic and rugged partner. She seeks a ‘milonguero’ (tango dancer) who is charismatic and traditionally masculine, without the trappings of high society such as gelled hair or English tobacco. Her ideal man is one who understands the street slang and embodies the spirit of the tango culture, someone who can engage in the playful, verbal sparring known as ‘chamuyo’. This dialogue captures a desire to break from societal expectations and find authenticity in a partner who shares her cultural roots.



Symbolism of Mama yo quiero un novio

The symbolism in the song is rich with Argentine tango culture. The references to not using ‘gomina’ (hair gel) and not smoking ‘tabaco inglés’ (English tobacco) symbolize a rejection of foreign influences and upper-class pretensions. The ideal novio is described with distinctly local touches, such as ‘gacho ladeado’ (tilted hat) and ‘trencilla en el pantalón’ (braids on the trousers), embodying the authentic porteño (person from Buenos Aires) spirit. The repeated wish for a boyfriend who ‘al bailar se arrugue como un bandoneón’ (wrinkles up like a bandoneon when dancing) uses the iconic tango instrument as a metaphor for emotional depth and complexity, evoking images of passionate tango dances where both partners are deeply connected and responsive to the music and each other.



Mama yo quiero un novio in historic Context

The tango “Mama yo quiero un novio” was recorded in 1928, a period when Argentina was experiencing significant social changes with the influx of European immigrants and the rural population migrating to urban centers like Buenos Aires. This cultural melting pot influenced the tango scene, which was itself a blend of various musical and cultural traditions. The tango became a space for expressing identity, resistance, and the negotiation between tradition and modernity. The song’s lyrics rejecting ‘refined’ men in favor of a ‘milonguero’ reflect a broader societal commentary on the changing values and the aspiration to preserve distinctly Argentine cultural elements in the face of globalization.



Roberto Fontaina

Roberto Fontaina was an influential lyricist in the Argentine tango scene, known for his ability to capture the essence of Buenos Aires’ street culture in his works.