Fabrice Knecht Tango DJ
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These Tangos, Valses, and Milongas were recorded around the same time. Take a look to discover what else this orchestra—or others—may have recorded during the same week or even on the exact same day.
Malevaje is a Tango written by Enrique Santos Discépolo and composed by Juan De Dios Filiberto.
The narrative of “Malevaje” delves into the transformation of a man who was once admired for his toughness and rebelliousness within the rough neighborhoods (malevajes) of Buenos Aires. These locales were notorious for their unruly inhabitants. The protagonist recounts his sudden change of character after falling in love, portraying the emotional turmoil and identity crisis he faces abandoning his old ways (symbolized by losing his courage and the desire to fight) due to the overwhelming power of his emotions.
In “Malevaje,” Enrique Santos Discépolo uses a blend of metaphors and cultural references to enhance the depth of his lyrics. For instance, the phrase “No me has dejao ni el pucho en la oreja” symbolizes how the character has lost every aspect of his former tough persona, down to the cigarette left behind his ear—a common gesture among tough, street-wise men. Furthermore, the conversion from a life of fighting to contemplating prayers vividly illustrates the internal conflict and profound transformation prompted by love.
Recorded in 1962, a period marked by significant social changes in Argentina, “Malevaje” reflects the emotional and societal conflicts faced by individuals on the fringes of society. During this time, the country was experiencing political turmoil and fluctuations in cultural identity, which could mirror the protagonist’s identity crisis and his distancing from a life of violence and machismo towards a more introspective existence—a change possibly representing the larger societal shift towards modern values.
Enrique Santos Discépolo was a celebrated Argentine playwright, musician, and composer, renowned for his sharply critical and introspective tango lyrics.