Fabrice Knecht Tango DJ
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These Tangos, Valses, and Milongas were recorded around the same time. Take a look to discover what else this orchestra—or others—may have recorded during the same week or even on the exact same day.
Malena is a Tango written by Homero Manzi and composed by Lucio Demare.
The tango “Malena” vividly portrays the emotional spectrum of a woman who sings tango with deep soulfulness. Malena is described as singing tango “like no one else,” channeling her emotions through every verse. Her connection to tango is intimate and profound, with her sadness mirrored by the bandoneon, an instrument central to tango music.
Malena herself symbolizes the quintessential tango singer, her voice imbued with the “perfume” of the suburbs and resonating with the melancholy and grit of the streets. The repeated reference to the bandoneon’s sadness reflects the instrument’s deep, mournful tones, often associated with the emotional depth of tango music. The phrases “tu canción tiene el frío del último encuentro” and “tu voz es la flor de una pena” highlight the themes of loss and longing, suggesting that Malena’s song evokes the chilling loneliness of a final meeting and the beautiful yet sorrowful timbre of her voice.
Written and recorded in Argentina in 1974, “Malena” was created during a period of significant political and social changes in the country. This was a time leading up to the tumultuous years of the National Reorganization Process. The emotional depth and the poignant expressions of sorrow within the lyrics could be echoing the collective sentiments of the Argentine people during this era, utilizing the cultural vehicle of tango to comment on broader societal experiences.
Homero Manzi was a renowned Argentine tango lyricist and filmmaker, known for his deep emotional connection to Argentine culture and his profound lyrical compositions in tango music.