Fabrice Knecht Tango DJ

Malandraca

Malandraca is a Tango written by Osvaldo Pugliese and recorded by Osvaldo Pugliese in 1949. Osvaldo Pugliese has recorded Malandraca as an instrumental Tango.
“Malandraca,” which translates to “Roguish Woman” in English, conjures images of a spirited and rebellious soul dancing through twilight streets. Her presence is both enigmatic and captivating, embodying the heart of tango with a blend of elegance and mischief. In each note, echoes of passionate encounters and untold stories twirl beneath the shadowy glow of street lamps.

Tango

Style

Osvaldo Pugliese

Orchestra

Instrumental

Singer

Author

Osvaldo Pugliese

Composer

1949/5/31

Date

Instrumental
Instrumental
Osvaldo Pugliese
Osvaldo Pugliese

Discover Other Orchestras

Florindo Sassone – Esperanza – 1974/1/1
Florindo Sassone – La payanca – 1974/1/1
Florindo Sassone – El divorcio – 1949/10/4
Florindo Sassone – Siempre te nombra – 1947/11/13
Florindo Sassone – La tablada – 1966/3/10
José De Alto (Dir. José Basso) – Milonguita (Esthercita) – 1959/9/14
José De Alto (Dir. José Basso) – Yo no sé por qué te quiero – 1959/9/14
José De Alto (Dir. José Basso) – Nunca tuvo novio – 1959/9/14
José De Alto (Dir. José Basso) – Rosicler – 1959/9/14
Rodolfo Biagi – Marol – 1946/1/31
Rodolfo Biagi – Dejame amarte aunque sea un dia – 1939/9/22
Rodolfo Biagi – Y no te voy a llorar – 1954/12/29
Rodolfo Biagi – A suerte y verdad – 1944/8/11
Rodolfo Biagi – Y a mi qué – 1964/1/1
Armando Pontier – Clavel del aire – 1961/11/23
Armando Pontier – Verdemar – 1960/7/21
Armando Pontier – Luto blanco – 1962/4/27
Armando Pontier – Azabache – 1960/7/21
Armando Pontier – La última curda – 1966/12/15

Recommended

These Tangos, Valses, and Milongas were recorded around the same time. Take a look to discover what else this orchestra—or others—may have recorded during the same week or even on the exact same day.

1949/5/31 – Y volvemos a querernos – Osvaldo Pugliese
1949/6/2 – Alla en el bajo – Alfredo De Angelis
1949/6/2 – El ciruja – Alfredo De Angelis
1949/5/27 – Tabernero (El tabernero) – Jose Basso
1949/5/27 – Una lagrima tuya – Jose Basso

Malandraca recorded by Osvaldo Pugliese


Malandraca is an instrumental Tango composed by Osvaldo Pugliese.



Interpretation of Malandraca


“Malandraca” is a tango piece that encapsulates the vigorous and passionate essence typical of Pugliese’s compositions. The word “Malandraca” itself suggests a sense of roguishness or mischievousness, setting a tone that is both bold and intriguing. The piece likely sways between energetic bursts of melodic playfulness and deep, soulful undertones, embodying the lively dance of life that tango so often portrays.



The orchestration would capture this duality, with the bandoneóns leading compelling rhythms, violins weaving complex emotional harmonies, and the piano offering a foundation of determined, yet fluid progression. This interplay creates a dynamic narrative, perhaps illustrating a story filled with adventure, mischief, and a hint of unpredictability—a dance where each note is a step in a ballroom of cunning charm.



Osvaldo Pugliese and Malandraca


Performed by the renowned Tango Orchestra of Osvaldo Pugliese, “Malandraca” is not just a composition but a vivid expression of the spirit and passion that Pugliese brings to tango music. Known for his ability to imbue compositions with emotion and intensity, Pugliese’s performance of “Malandraca” highlights both the technical virtuosity and the emotive narrative of the piece.



Recorded in 1949, this piece stands as a testament to Pugliese’s innovative contributions to the world of tango. His orchestra brings “Malandraca” to life with a precision and warmth that invites listeners to experience the richness and depth of the tango journey. The piece resonates with the energy of Buenos Aires, evoking a sense of nostalgia, romance, and adventure.