Fabrice Knecht Tango DJ
Fabrice Knecht Tango DJ
Style
Orchestra
Singer
Author
Composer
Date
These Tangos, Valses, and Milongas were recorded around the same time. Take a look to discover what else this orchestra—or others—may have recorded during the same week or even on the exact same day.
Mala is a Tango written by Luis Rubistein and composed by Juan José Visciglio.
The lyrics of “Mala” depict a scene of vivid contrast between celebration and personal grief. The narrator addresses a woman who is in a festive mood, presumably at a party, dressed in disguise and apparently oblivious to his sorrow. This juxtaposition sets the stage for exploring themes of heartbreak and emotional disconnect. The lyric “No te has fijado en mi dolor” (You have not taken notice of my pain) points poignantly at her ignorance of his suffering, setting a tone of accusation and despair.
The use of the word “Mala”, translating to “bad” or “evil” in English, immediately sets a tone of negativity and hints at betrayal or moral failing, presumably on the part of the woman. Symbolically, the tango contrasts the color and light of a festive atmosphere—represented by “Las lamparitas de colores” (The little colorful lamps)—with the darkness of heartache manifested in the melancholic tones of the orchestra where every violin cries for his love. This symbolic representation reinforces the theme of ignored suffering amidst societal joy.
“Mala” was recorded in 1929, a period rich in the evolution of Tango, which often captured sentiments of the working class in Argentina, dealing frequently with themes of disappointment, lost love, and personal grief. The historical backdrop was challenging, influenced by the economic impacts of the 1929 Great Depression. This context likely intensified the expression of melancholy and disillusionment in Tango lyrics, reflecting broader societal struggles.
Luis Rubistein was known for weaving complex emotional narratives within his Tango compositions, often capturing the essence of love, sorrow, and betrayal.