Fabrice Knecht Tango DJ
Fabrice Knecht Tango DJ
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These Tangos, Valses, and Milongas were recorded around the same time. Take a look to discover what else this orchestra—or others—may have recorded during the same week or even on the exact same day.
Mala junta is a Tango written by Juan Velich and composed by Pedro Laurenz.
The lyrics of “Mala junta” narrate a poignant story of loss and lament. The song speaks of a female figure who is led astray by bad company (“mala junta”), resulting in her downfall and causing grief and sorrow to those who care for her. The narrator reflects on the promises of joy and luxury that seduced her, contrasting these with the painful reality of her actions, exemplified by her forgetfulness of her loved ones and the comforts of home. This Tango captures the essence of remorse and the longing for the return of innocence and happiness.
The symbolic use of the phrase “mala junta”, which translates to “bad company” or “bad influence,” reflects a significant societal concern about the impact of one’s associations on personal fate and morality. The imagery of “níveas alas” (snow-white wings) getting burned symbolizes lost purity and innocence, further emphasizing the theme of corruption and moral decay. These expressive choices highlight the internal conflict and the protagonist’s descent from grace due to her misguided decisions.
Recorded in 1968 in Argentina, a period marked by social and political unrest, “Mala junta” reflects the personal narratives of loss and degradation amidst broader societal chaos. During this era, tango music often mirrored the collective sentiment of the populace, dealing with themes of disappointment, struggle, and nostalgia. Velich’s lyrics resonate with the Argentinian ethos of the time, portraying a personal story that aligns with the collective emotional landscape.
Juan Velich was a renowned tango lyricist, whose works capture the essence of Argentine culture and emotion during the mid-20th century.