Fabrice Knecht Tango DJ
Style
Orchestra
Singer
Author
Composer
Date
These Tangos, Valses, and Milongas were recorded around the same time. Take a look to discover what else this orchestra—or others—may have recorded during the same week or even on the exact same day.
Magdala is a Tango written by Francisco Gorrindo and composed by Rodolfo Biagi.
The lyrics of “Magdala” paint a poignant scene of repentance and redemption. The narrator reflects on his failures and addresses Magdala as a saintly figure, expressing deep remorse and a desire for her forgiveness. The title “Magdala” refers to Mary Magdalene, a figure from the Christian tradition known for her transformation and redemption, underscoring themes of forgiveness and new beginnings.
The lyrics are rich in symbolic imagery, particularly through references to a ‘via crucis’ or ‘Way of the Cross’, leading the listener through a path of suffering towards redemption. The repetitive mentions of “sombras” (shadows) emphasize the narrator’s existential crisis and sense of entrapment in his failed past, while the imagery of hands capturing only shadows and eyes that see only darkness highlight his deep despair. The final stanzas focus on liberation (“abiertas las puertas, de la libertad”), symbolically setting Magdala free from the narrator’s burdens.
Set against the backdrop of Argentina in 1945, a period marked by significant political and social changes, “Magdala” perhaps echoes the collective sentiment of desiring release from past hardships and hope for renewal. The period post-World War II was a time of reflection and transformation globally, and such a theme resonates in the personal liberation and search for redemption expressed in the Tango.
Francisco Gorrindo was an acclaimed lyricist known for his evocative and poetic Tango lyrics.