Fabrice Knecht Tango DJ
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These Tangos, Valses, and Milongas were recorded around the same time. Take a look to discover what else this orchestra—or others—may have recorded during the same week or even on the exact same day.
Madre mía is a Tango written by Emilio Fresedo and composed by Osvaldo Fresedo.
The lyrics of “Madre mía” unfold a poignant narrative highlighting a deep maternal bond and the profound regrets of a child who has caused sorrow. The opening lines, “Aquella noche que te fuiste/jamás pensaste que quedó tan triste…”, set a melancholic tone, showing the immediate emotional impact of the child’s departure on the family, especially the mother. The song evokes visual and emotional imagery as tears roll down at a visibly empty spot at the dinner table, symbolizing absence and loss.
The song extensively uses symbols to enhance the emotional weight of the narrative. Tears, an empty seat, and a candle’s light are recurrent images that symbolize grief, emptiness, and perhaps a glimmer of hope or remembrance, respectively. The key phrase “llevo tu sangre, ¡oh, madre mía!”, acknowledges the unbreakable bond and shared essence between the mother and child, emphasizing lineage and inherent connection. Furthermore, the act of praying to a saint signifies a seeking of solace and divine intervention amidst despair.
Recorded in Argentina in 1942, during a period marked by global upheaval and internal sociopolitical changes, “Madre mía” echoes common themes of loss and the value of familial relationships. The song could be seen as reflecting a collective sentiment of longing and the pain of separation—emotions prevalent in an era where many families were affected by the consequences of World War II and the inflections in Argentine political life.
Emilio Fresedo, a prominent figure in the realm of Tango, is primarily celebrated for his lyrical contributions that often encapsulate deep emotional and cultural reflections of his times.