Fabrice Knecht Tango DJ
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These Tangos, Valses, and Milongas were recorded around the same time. Take a look to discover what else this orchestra—or others—may have recorded during the same week or even on the exact same day.
Madre hay una sola is a Tango written by José De La Vega and composed by Agustín Bardi.
The Tango “Madre hay una sola” vividly portrays a son’s regret and longing as he returns to the gentle affections of his mother, following a life of misguided adventures. By revisiting the unfailing warmth of his mother, the son recounts his realization that while life offers plentiful superficial relationships and attractions, the unconditional love of a mother is unique and irreplaceable.
This composition utilizes deep emotional symbols to enhance the message—a lost son finding refuge and unconditional love in his mother’s arms. The phrase “Pagando antiguas locuras” (Paying for old follies) sets the tone for a reflective, repentant mood. “Besos y amores …farsas” contrasts fleeting pleasures with the genuine, enduring affection of a mother. This dichotomy illustrates the hollowness of external pursuits when compared to familial bonds. Moreover, “Benditas sus canas! ¡Bendito su amor!” (Blessed are her gray hairs! Blessed is her love!) underscores the sacred, revered status of maternal love in the protagonist’s heart.
The Tango was recorded in Argentina in 1963, a time characterized by significant social and political upheavals. The theme of returning to one’s roots and valuing foundational relationships could resonate profoundly with an audience experiencing rapid modernization and social change. “Madre hay una sola” serves as a touching reminder of the unwavering pillar of maternal affection amidst a transformative era in Argentine history.
José De La Vega was an influential figure in Argentinian tango, known for his emotive lyricism that often explored themes of love, loss, and nostalgia.