Fabrice Knecht Tango DJ

Los mareados

Los mareados is a Tango written by Juan Carlos Cobián and recorded by Aníbal Troilo in 1942. The Tango Los mareados is written by Juan Carlos Cobián, Aníbal Troilo has recorded Los mareados with the singer Francisco Fiorentino.
“Los Mareados,” which translates to “The Dizzy Ones” in English, weaves a tale of swirling emotions and love’s intoxicating dance. The title captures the essence of being swept away by passion, as if caught in a whirlwind of heartfelt longing and vulnerability. In each note, the spirit of tango spins timeless stories of joy, heartbreak, and the dizzying pursuit of connection.

Tango

Style

Aníbal Troilo

Orchestra

Francisco Fiorentino

Singer

Enrique Cadicamo

Author

Juan Carlos Cobián

Composer

1942/6/15

Date

Francisco Fiorentino
Francisco Fiorentino
Aníbal Troilo
Aníbal Troilo

Discover Other Orchestras

Horacio Salgán Y Dante Amicarelli – El bosque mágico – 1971/1/1
Horacio Salgán Y Dante Amicarelli – Pimienta – 1971/1/1
Horacio Salgán Y Dante Amicarelli – Las hojas muertas (Les feuilles mortes) – 1971/1/1
Horacio Salgán Y Dante Amicarelli – Tu romanza – 1971/1/1
Horacio Salgán Y Dante Amicarelli – La chica de Ipanema (Garota de Ipanema) – 1970/1/1
Osvaldo Pugliese – Cascabelito – 1955/9/22
Osvaldo Pugliese – La piel de Buenos Aires – 1981/12/3
Osvaldo Pugliese – El remate – 1944/6/1
Osvaldo Pugliese – Melodía de arrabal – 1985/11/11
Osvaldo Pugliese – Los hermanos – 1972/12/6
Osvaldo Fresedo – En el baile de Ñ’Anastasia – 1934/1/26
Osvaldo Fresedo – Por la cuesta arriba – 1945/11/19
Osvaldo Fresedo – Volvé – 1932/1/1
Osvaldo Fresedo – Frente a dios – 1968/1/1
Osvaldo Fresedo – Negra María – 1941/10/10
Cuarteto Aníbal TROILO – Los mareados – 1968/9/11
Cuarteto Aníbal TROILO – Del barrio de las latas – 1968/8/5
Cuarteto Aníbal TROILO – Toda mi vida – 1968/8/5
Cuarteto Aníbal TROILO – La tablada – 1968/8/5
Cuarteto Aníbal TROILO – La última curda – 1969/7/30

Recommended

These Tangos, Valses, and Milongas were recorded around the same time. Take a look to discover what else this orchestra—or others—may have recorded during the same week or even on the exact same day.

Los mareados recorded by other Orchestras

Los mareados recorded by other Orchestras

1942/6/15 – Soy muchacho de la guardia – Anibal Troilo
1942/6/15 – Suerte loca – Anibal Troilo
1942/6/15 – Guitarra que llora – Angel d-Agostino
1942/6/15 – Trasnochando – Angel d-Agostino
1942/6/15 – Ataniche – Cuarteto Tipico Roberto Firpo
Los mareados – 1942/6/15 – Anibal Troilo – Francisco Fiorentino
Los mareados – 1968/9/11 – Cuarteto Anibal TROILO – Instrumental
Los mareados – 1985/12/26 – Osvaldo Pugliese – Instrumental
Los mareados – 1985/12/26 – Osvaldo Pugliese – Instrumental
Los mareados – 1950/9/8 – Miguel Calo – Ricardo Blanco
Los mareados – 1957/1/1 – Lucio Demare – Instrumental
Los mareados – 1981/1/1 – Alfredo De Angelis – Marcelo Biondini
Los mareados – 1952/12/11 – Jose Basso – Oscar Ferrari
Los mareados – 1957/1/1 – Astor Piazzolla – Instrumental
Los mareados – 1951/3/29 – Osmar Maderna – Adolfo Rivas
Los mareados – 1971/1/1 – Horacio Salgan – Instrumental
Los mareados – 1952/5/30 – Horacio Salgan – Instrumental

Lyrics Translation of the Tango Los mareados

This is the translation of the Tango “Los mareados” from Spanish to English. The English lyrics of the Tango “Los mareados” have been done with AI.

Letra del Tango Los mareados

Rara..
como encendida
te hallé bebiendo
linda y fatal…
Bebías
y en el fragor del champán,
loca, reías por no llorar…
Pena
Me dio encontrarte
pues al mirarte
yo vi brillar
tus ojos
con un eléctrico ardor,
tus bellos ojos que tanto adoré…

Esta noche, amiga mía,
el alcohol nos ha embriagado…
¡Qué importa que se rían
y nos llamen los mareados!
Cada cual tiene sus penas
y nosotros las tenemos…
Esta noche beberemos
porque ya no volveremos
a vernos más…

Hoy vas a entrar en mi pasado,
en el pasado de mi vida…
Tres cosas lleva mi alma herida:
amor… pesar… dolor…
Hoy vas a entrar en mi pasado
y hoy nuevas sendas tomaremos…
¡Qué grande ha sido nuestro amor!…
Y, sin embargo, ¡ay!,
mirá lo que quedó…

English lyrics of the Tango "Los mareados"

Strange…
as if aflame
I found you drinking
lovely and fatal…
You drank
and amidst the champagne’s clamor,
madly you laughed not to cry…
Sorrow
It gave me to find you
for in looking at you
I saw shining
your eyes
with an electric blaze,
your beautiful eyes I so adored…

Tonight, my friend,
the alcohol has intoxicated us…
What does it matter if they laugh
and call us the dizzy ones!
Each one has their sorrows
and we have ours…
Tonight we will drink
because we will not return
to see each other again…

Today you will enter my past,
into the past of my life…
Three things my wounded soul carries:
love… sorrow… pain…
Today you will enter my past
and today new paths we shall take…
How great was our love!…
And yet, oh!
look what is left…

Los mareados by

Los mareados is a Tango written by and composed by Juan Carlos Cobián.

Story behind the Tango Los mareados

The tango “Los mareados” tells a poignant story of melancholy and nostalgia, revealing a scene where two individuals, drowning in alcohol, confront the end of a significant relationship. The lyrics vividly depict a night where emotions run high under the influence of champagne, giving rise to laughter that seeks to mask deeper sorrow. The encounter is infused with a sense of inevitability, as the narrator reflects on past joys and the painful realization that parting ways is now their only path forward.

Symbolism of Los mareados

The tango employs powerful symbolic language that enhances its emotional impact. The recurring imagery of alcohol-induced dizziness or stupefaction (“mareados”) symbolizes the characters’ desire to escape reality and numb their emotional pain. The contrast between laughter and tears, between light and shadow, highlights the conflict between repressed emotions and the facade of happiness. Key phrases such as “loca, reías por no llorar” (crazy, you laughed so you wouldn’t cry) encapsulate the struggle to portray joy while silently harboring sorrow.

Los mareados in historic Context

Created in 1942 in Buenos Aires, the tango reflects the cultural and social dynamics of Argentina during a time characterized by political instability and economic uncertainty. Tango, as a genre rooted in the working-class neighborhoods of Buenos Aires, became an essential form of emotional expression and storytelling for its people. In “Los mareados,” the poignant themes of love, loss, and longing resonate with the shared experiences of many facing personal and societal upheavals, reinforcing the tango’s role as a mirror to the soul of Buenos Aires.

The Author of “Los mareados” was steeped in the rich tradition of Argentine tango, contributing greatly to its lyrical and emotional depth. His collaboration with composer Juan Carlos Cobián created an unforgettable piece that stands as a testament to the enduring power of the tango to capture human emotion.