Fabrice Knecht Tango DJ
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These Tangos, Valses, and Milongas were recorded around the same time. Take a look to discover what else this orchestra—or others—may have recorded during the same week or even on the exact same day.
Locura locura is a Tango written by Roberto Cantoral and composed by Manuel Sucher.
“Locura locura” which translates to “Madness, madness” in English, reflects a profound and passionate declaration of love. The lyrics portray a speaker who experiences an obsessive and all-consuming love, often bordering on divine worship. This love is so intense that the speaker wishes for the omnipotence of the Divine Creator to eternally be with the beloved, indicating a desire to transcend earthly bounds to preserve this fervent emotion.
Roberto Cantoral effectively uses religious imagery and existential themes to deepen the emotional impact of the song. Phrases like “suprema idolatría” and “Divino Creador” elevate the love described to a near-sacred level, linking the personal emotion to universal concepts of creation and devotion. Furthermore, the repeated lines in the coda, where the love between the two is remembered as a sacred offering “de dos que aunque pecaron han vivido,” symbolizes love as a redeeming, enduring force, sanctified by its sheer power even in the face of sin and human imperfection.
Recorded in 1961, during a politically and culturally vibrant period in Argentina, “Locura locura” captures the spirit of an era marked by intense emotional and artistic expressions. The year was a time of significant social changes and a burgeoning popular culture that embraced deep, introspective lyrical themes in music. In this context, Cantoral’s lyrics could be seen as an exploration of personal freedoms and emotional liberation, echoing the broader societal shifts towards more open emotional expressions and challenging traditional moral constraints.
Roberto Cantoral was a prominent figure in Latin American music, widely respected for his contributions in songwriting and composition.