Fabrice Knecht Tango DJ

Lluvia de colores

Lluvia de colores is a Vals written by Osvaldo Donato and recorded by Edgardo Donato in 1930. Edgardo Donato has recorded Lluvia de colores as an instrumental Vals.
“Lluvia de colores” translates to “Rain of Colors” in English. This evocative name suggests a vibrant and mesmerizing downpour, where each drop is a hue from the spectrum. It captures the essence of a musical piece that paints the air with melodies, creating a kaleidoscope of emotions that dance and swirl like a tango in the soul.

Vals

Style

Edgardo Donato

Orchestra

Instrumental

Singer

Author

Osvaldo Donato

Composer

1930/1/1

Date

Instrumental
Instrumental
Edgardo Donato
Edgardo Donato

Discover Other Orchestras

Pedro Laurenz – De puro guapo – 1968/12/1
Pedro Laurenz – Guardia vieja – 1926/12/28
Pedro Laurenz – Muchachos mi último tango – 1944/3/1
Pedro Laurenz – Puente Alsina – 1953/6/25
Pedro Laurenz – Amurado – 1940/7/29
Armando Pontier – El marne – 1958/6/12
Armando Pontier – Papas calientes – 1956/8/9
Armando Pontier – El torito – 1957/9/30
Armando Pontier – Adoración – 1958/9/16
Armando Pontier – El choclo – 1958/7/4
Armando PONTIER – Verdemar – 1960/7/21
Roberto Firpo – Corazoncito (Ñafa) – 1928/4/12
Roberto Firpo – Bailemos
Pebeta – 1930/6/7
Roberto Firpo – Tristeza criolla (2) – 1941/5/16
Roberto Firpo – Linda moza – 1931/7/16
Roberto Firpo – Lo mismo que ayer (2) – 1931/8/27

Recommended

These Tangos, Valses, and Milongas were recorded around the same time. Take a look to discover what else this orchestra—or others—may have recorded during the same week or even on the exact same day.

1930/1/1 – A la orilla de la mar – Edgardo Donato
1930/1/1 – Algun dia (2) – Edgardo Donato
1930/1/1 – Buena yunta – Edgardo Donato
1930/1/1 – Candombiando – Edgardo Donato
1930/1/1 – Che fayuto – Edgardo Donato

Lluvia de colores recorded by Edgardo Donato


Lluvia de colores is an instrumental Tango composed by Osvaldo Donato.



Interpretation of Lluvia de colores


The title “Lluvia de colores” translates to “Rain of Colors” in English. As an instrumental piece played by the noteworthy Tango Orchestra Edgardo Donato, this composition likely evokes a vibrant tapestry of emotions and imagery. The phrase “Rain of Colors” suggests a kaleidoscope of emotions and visual sensations, akin to hues cascading down in a multitude of shades. This vibrant imagery could be reflected in the dynamic range of the orchestra’s performance, with each instrument adding its own unique color to the musical palette. The orchestra might use varying tempos and intensities to mimic the unpredictable yet beautiful nature of rain, creating a musical experience that feels both fresh and invigorating. The piece might also weave in traditional tango elements, such as rhythmic patterns and melodies, to maintain an underlying sense of passion and romance, characteristic of the genre.



Edgardo Donato and Lluvia de colores