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Llora corazon

Llora corazon is a Vals written by Horacio Pettorossi and recorded by Enrique Rodríguez in 1945. The Vals Llora corazon is written by Horacio Pettorossi, Enrique Rodríguez has recorded Llora corazon with the singer Armando Moreno.
“Llora Corazón,” which translates to “Cry, Heart” in English, captures the profound sorrow and longing woven into its melody. The music evokes the heart’s deepest aches, resonating with the tears that words cannot express. It is a poignant dance of emotion, where every note wails with the echoes of lost love and unspoken dreams.

Vals

Style

Enrique Rodríguez

Orchestra

Armando Moreno

Singer

Horacio Pettorossi

Author

Horacio Pettorossi

Composer

1945/9/25

Date

Armando Moreno
Armando Moreno
Enrique Rodríguez
Enrique Rodríguez

Discover Other Orchestras

Ángel d’Agostino – Madre hay una sola – 1943/4/30
Ángel d’Agostino – Solo compasion – 1941/10/20
Ángel d’Agostino – Pobre gallo bataraz (2) – 1942/4/7
Ángel d’Agostino – Tres esquinas – 1941/7/24
Ángel d’Agostino – A quién le puede importar – 1945/8/7
Francini-Pontier – Una historia como tantas – 1949/11/10
Francini-Pontier – Delirio – 1950/12/5
Francini-Pontier – Claveles blancos – 1949/2/3
Francini-Pontier – A su memoria – 1947/3/5
Francini-Pontier – Oyeme mamá – 1952/9/17
Osmar Maderna – Pequeña – 1949/7/21
Osmar Maderna – La cumparsita – 1950/5/17
Osmar Maderna – La cautiva – 1950/11/8
Osmar Maderna – Volviendo – 1947/5/30
Osmar Maderna – Loca bohemia – 1947/3/28
Francisco Rotundo – Resignate hermano – 1952/5/19
Francisco Rotundo – Yo soy aquel muchacho – 1955/6/9
Francisco Rotundo – Aquel tapado de armiño – 1950/7/6
Francisco Rotundo – Para florearse – 1954/11/16
Francisco Rotundo – La casita esta triste – 1953/6/26

Recommended

These Tangos, Valses, and Milongas were recorded around the same time. Take a look to discover what else this orchestra—or others—may have recorded during the same week or even on the exact same day.

1945/9/25 – Giuseppe el zapatero – Enrique Rodriguez
1945/9/24 – Mentira – Osvaldo Pugliese
1945/10/2 – A pan y agua – Angel d-Agostino
1945/10/2 – Tristeza criolla – Angel d-Agostino
1945/10/3 – Canchero – Juan D-Arienzo

Lyrics Translation of the Vals Llora corazon

This is the translation of the Vals “Llora corazon” from Spanish to English. The English lyrics of the Vals “Llora corazon” have been done with AI.

Letra del Vals Llora corazon

Por no querer perdonarte
me está matando el dolor
y aunque mi rostro sonria, estoy llorando de amor
estoy llorando de amor

llora llora corazon
llora si tienes por qué

que no es delito en el hombre
llorar por una mujer, llorar por una mujer

Yo represento la playa
y tu las olas del mar
vienes a mi y me acaricias me besas y luego te vas
me besas luego te vas
llora llora corazon
llora si tienes por que
que no hay delito en el hombre
llorar por una mujer, llorar por una mujer

tu me enseñaste a querer,
tambien me enseñaste a amar
del tiempo estoy aprendiendo
el consuelo de olvidar, el consuelo de olvidar

llora llora corazon
llora si tienes por que
que no hay delito en el hombre llorar por una mujer
llorar por una mujer

English lyrics of the Vals "Llora corazon"

For not wanting to forgive you,
the pain is killing me,
and although my face smiles, I’m crying from love,
I’m crying from love.

Cry, cry, my heart,
cry if you have a reason.

It’s not a crime for a man
to cry over a woman, to cry over a woman.

I am like the shore,
and you are like the sea waves.
You come to me and caress me, you kiss me and then you leave,
you kiss me and then you leave.

Cry, cry, my heart,
cry if you have a reason.
There is no crime for a man
to cry over a woman, to cry over a woman.

You taught me to like,
you also taught me to love,
from time I am learning
the solace of forgetting, the solace of forgetting.

Cry, cry, my heart,
cry if you have a reason.
There’s no crime for a man to cry over a woman,
to cry over a woman.

Llora corazon by Horacio Pettorossi

Llora corazon is a Tango written by Horacio Pettorossi and composed by Horacio Pettorossi.



Story behind the Tango Llora corazon

The narrative of “Llora corazon” is immersed in profound sorrow and heartache. The lyrics poignantly convey the pain of unrequited love or separation. The speaker shares their internal struggle, oscillating between forgiveness and suffering, highlighted by their physical expressions that contradict their true feelings – smiling while enduring heartache. The recurring refrain “llora llora corazon” (cry, cry heart) serves as a cathartic expression urging the heart to grieve openly for love lost or unreturned.



Symbolism of Llora corazon

Symbolism in “Llora corazon” is richly layered, using natural imagery to depict emotional states. The speaker likens themselves to the shore and their beloved to the sea’s waves, suggesting a dynamic of closeness followed by inevitable withdrawal, which accentuates the pain of brief encounters followed by loneliness. This metaphor underscores the transient, sometimes harsh nature of love. Key phrases like “llora si tienes por qué” (cry if you have a reason) emphasize that feeling sorrow is not a crime, normalizing the expression of male vulnerability, particularly poignant in the cultural context of 1945 Argentina where masculinity often equated to stoicism.



Llora corazon in historic Context

Recorded shortly after World War II, in 1945, “Llora corazon” emerges at a time when global emotions ran high, and expressions of loss and reflection were prevalent. In Argentina, this period also marked a significant socio-political shift with the rising popularity of figures such as Juan Domingo Perón. The tango, a dance that itself emerged from a fusion of cultures and expressions of lower-class struggles, here reflects broader themes of emotional release and resilience. Pettorossi’s work could be seen as both a personal narrative and a mirror to the collective emotional state of a country recovering from the shadows of war and entering a complex political period.



Horacio Pettorossi

Horacio Pettorossi was an influential Argentine tango musician, known for his emotive compositions that captured the essence of Argentine sentiment and soul of the early 20th century.