Fabrice Knecht Tango DJ
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These Tangos, Valses, and Milongas were recorded around the same time. Take a look to discover what else this orchestra—or others—may have recorded during the same week or even on the exact same day.
Llevátelo todo is a Tango written by Rodolfo Sciammarella and composed by Rodolfo Sciammarella.
“Llevátelo todo” translates to “Take it all” in English, reflecting the poignant, sacrificial nature of the lyrics. The song tells a story of brotherly confrontation, trust, and betrayal entwined with love for the same woman. The speaker addresses his brother, revealing his pain and anger upon discovering their shared affection for the same woman. Despite the intense emotions, there is an underlying call for honor and respect in maintaining their relationship, highlighting the conflict between love and loyalty.
The Tango uses potent symbolism and language that accentuates the themes of love, betrayal, and brotherhood. Terms like “bronca” (anger) and phrases like “ahogarla entre mis brazos” (drown her in my arms) vividly express the emotional turmoil faced by the speaker. The emotional plea, “pero a ella dejála porque es mi mujer” (but leave her because she is my woman), symbolizes a desperate attempt to retain something sacred amidst the chaos. The use of familial terms like “hermano” (brother) underscores the depth of the betrayal, enhancing the emotional weight of the conflict.
Recorded in 1950s Argentina, a period marked by political and social upheaval, “Llevátelo todo” might also mirror the broader societal conflicts of the time. The appeal to brotherhood and loyalty amidst personal turmoil could parallel public calls for unity and integrity against a backdrop of discord and distrust. The historical context adds a layer of richness to the narrative, suggesting that personal betrayals mirror larger societal betrayals.
Rodolfo Sciammarella was an influential figure in the Tango music scene, renowned for his deep lyrical compositions that often explored themes of love, betrayal, and social issues.