Fabrice Knecht Tango DJ
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These Tangos, Valses, and Milongas were recorded around the same time. Take a look to discover what else this orchestra—or others—may have recorded during the same week or even on the exact same day.
Lástima is a Tango written by Luis Caruso and composed by Juan Martínez.
The lyrics of “Lástima” vividly depict the gradual decay of a once vibrant love. It illustrates the transition from doubt to jealousy, and ultimately to the regrettable loss of a shared dream. The narrative structure traces the escalation of negative emotions, where initial doubts tighten their grip, becoming inescapable jealousy that engenders mutual resentment, destroying the illusions and bonds that once tied the lovers together.
“Lástima” effectively uses symbolic language to enhance the emotional depth of the tango. The phrase “La duda sus garras crispó” epitomizes this by comparing doubt to a beast’s claws, symbolizing its painful and invasive impact on the relationship. Another poignant phrase, “Y el embuste traicionero destrozaba una ilusión,” personifies deceit as a traitor, ravaging the dreams and ideals the couple once held. These choices deepen the portrayal of loss and the irreversible damage caused by distrust and betrayal.
“Lástima” was written in 1958, a period marked by social and political upheaval in Argentina. The lyrics, enveloped in a personal narrative of heartbreak, also subtly reflect the broader societal atmosphere of disillusionment and the desire for change. Moreover, Buenos Aires, the birthplace of tango, is a city that historically contextualizes the fusion of deep emotional expression with music and dance, making tangos like “Lástima” not just performances but emotional histories woven into the culture.
Luis Caruso was a distinguished Argentine lyricist known for his poignant contributions to the genre of Tango, capturing deep emotional and often melancholic themes.