La viruta is a Tango written by Vicente Greco and recorded by Juan D’Arienzo in 1936. Juan D’Arienzo has recorded La viruta as an instrumental Tango.
“La viruta,” meaning “The Shavings” in English, dances with a lively spirit across the floor. Each note echoes the story of transformation, where every shaving of wood, much like a step in tango, shapes the essence of creation. As the melody swirls, it captures the essence of life’s beauty in every fleeting fragment.
These Tangos, Valses, and Milongas were recorded around the same time. Take a look to discover what else this orchestra—or others—may have recorded during the same week or even on the exact same day.
La viruta is an instrumental Tango composed by Vicente Greco.
Interpretation of La viruta
“La viruta”, translated to English, means “The Shavings”. This title evokes the image of delicate, intricate details that are crafted from something raw and whole. As an instrumental piece, it suggests a fine weaving of musical textures and rhythms, each note serving like a shaving that, when combined with others, forms a dynamic and expressive interpretation of the human experience. The music may embark on a journey starting from a raw, unpolished state, and through precise, sharp melodies, transforms into an elegant and refined dance, much like how shavings are byproducts of an artisan’s careful work.
Juan D’Arienzo and La viruta
Known as the “King of the Beat”, Juan D’Arienzo took “La viruta” and infused it with his signature lively tempo and vigorous energy, which were hallmarks of his style. His orchestra brought the composition to life with a forward-driving rhythm that was both compelling and joyous. D’Arienzo’s version of “La viruta” emphasizes a crisp and vivacious performance, resonating with dancers and listeners alike, as it captures the spirit of Buenos Aires and the vibrant world of tango in a way that only his vigorous style could achieve.