Fabrice Knecht Tango DJ
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These Tangos, Valses, and Milongas were recorded around the same time. Take a look to discover what else this orchestra—or others—may have recorded during the same week or even on the exact same day.
La última cita is a Tango written by Francisco García Jiménez and composed by Agustín Bardi.
The tango “La última cita” tells the poignant tale of a final meeting between lovers, where deep passionate feelings and profound sorrow coincide as their love comes to an unexpected end. The lyrics vividly recount the emotional turmoil experienced during this last encounter, marked by betrayal and remorse. Here, Jiménez captures the essence of a love that, although once vibrant and full of promises, deteriorates into sadness and regret.
Jiménez uses rich and potent symbolism to deepen the lyrical expression of despair and loss. The “cruel shadow of doubt” personifies the lurking insecurities that finally destroy the lovers’ bliss. The garden, once perfumed with lovely promises, now becomes the “mansion of my sadness,” symbolizing how places once cherished can turn into sites of pain. Furthermore, the cypress tree, typically associated with mourning, denotes not just the loss of love but also the death of their shared future. The description of the hand that was passionately kissed but now induces goodbye signifies the transformation of a gesture of affection into a symbol of parting.
“La última cita” was written in the post-World War II era, a time of significant change and recovery in Argentina, reflecting in its arts and culture. Recorded in 1949, during a period marked by political shifts and economic uncertainties, the tango mirrors the era’s general sentiment of loss and yearning for the past. The country was transitioning rapidly, much like the abrupt end of the romance in the song, leading to a reflection on the value of what is left behind.
Francisco García Jiménez was an influential Argentinean lyricist and journalist, known for his poignant and evocative contributions to the tango genre.