Fabrice Knecht Tango DJ
Fabrice Knecht Tango DJ
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These Tangos, Valses, and Milongas were recorded around the same time. Take a look to discover what else this orchestra—or others—may have recorded during the same week or even on the exact same day.
La última carta is a Tango written by Jaime J. Airaldi and composed by Jaime J. Airaldi.
The song “La última carta” portrays a poignant tale of abandonment and lament. The lyrics depict a narrative where an individual reflects on his past relationship with a lover who fell into misfortune and disrepute. The narrator recounts how he once came to the aid of his lover during her time of need, offering assistance on a cold, destitute night. Despite the deep affection he still holds for her, he resolves that his current communication will be their final correspondence. This decision is driven by a mixture of pride and a wounded heart, marking a painful but necessary end to their connection.
The title, “La última carta,” translates to “The Last Letter” in English, symbolizing definitive closure of communication and the end of a chapter between the involved parties. This final letter serves not only as a farewell but as a vessel carrying the weight of unresolved feelings and the agony of letting go. The phrase “el orgullo ahoga la voz del corazón” which means “pride drowns out the voice of the heart” encapsulates the core emotional conflict: the struggle between lingering love and the proud refusal to rekindle a flawed relationship. This internal battle is a poignant reminder of how personal pride can often overshadow deeper feelings.
“La última carta” was recorded in 1928, a vibrant era for Tango that served as a voice for the emotional and social currents of Argentina. During this period, Tango often explored themes of love, betrayal, and social strife, mirroring the complications of relationships amidst the societal challenges of the time. The referenced destitution and moral descent in the lyrics might reflect the economic hardships and societal shifts occurring in Argentina in the late 1920s. This provides a richer understanding of the character’s plight and her subsequent choices, framing the narrative in a broader socio-economic context.
Jaime J. Airaldi was an influential figure in the Tango genre, contributing through both lyrics and music.