Fabrice Knecht Tango DJ

La trilla

La trilla is a Tango written by Eduardo Arolas and recorded by Florindo Sassone in 1951. Florindo Sassone has recorded La trilla as an instrumental Tango.
“La Trilla,” which translates to “The Threshing” in English, carries the rhythmic essence of labor and celebration intertwined. It evokes a scene where golden fields sway in harmony with the music, each note echoing the diligent, communal effort of threshing grain. This vibrant composition celebrates the dance of life, where the toil of harvest transforms into a shared joy.

Tango

Style

Florindo Sassone

Orchestra

Instrumental

Singer

Author

Eduardo Arolas

Composer

1951/6/22

Date

Instrumental
Instrumental
Florindo Sassone
Florindo Sassone

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Recommended

These Tangos, Valses, and Milongas were recorded around the same time. Take a look to discover what else this orchestra—or others—may have recorded during the same week or even on the exact same day.

La trilla recorded by other Orchestras

La trilla recorded by other Orchestras

1951/6/22 – Intimas – Florindo Sassone
1951/6/18 – Japonesita – Enrique Rodriguez
1951/6/26 – Calor de hogar – Alfredo Gobbi
1951/6/26 – Que me quiten lo bailao – Alfredo Gobbi
1951/6/27 – Don Atilio – Osvaldo Pugliese
La trilla – 1940/2/15 – Carlos di Sarli – Instrumental
La trilla – 1967/11/14 – Juan D-Arienzo – Instrumental
La trilla – 1950/12/15 – Hector Varela – Instrumental
La trilla – 1962/9/4 – Florindo Sassone – Instrumental
La trilla – 1951/6/22 – Florindo Sassone – Instrumental
La trilla – 1955/11/3 – Enrique Francini – Instrumental
La trilla – 1936/12/19 – Cuarteto Tipico Roberto Firpo – Instrumental

La trilla recorded by Florindo Sassone


La trilla is an instrumental Tango composed by Eduardo Arolas.



Interpretation of La trilla

The name “La trilla” translates to “The Threshing” in English, which evokes imagery of hard work, rhythm, and the agricultural process of separating grain from chaff. The piece can be imagined as an intense, rhythmic tango that mirrors the repetitive, yet purposeful movements of threshing. The music likely carries a lively tempo, capturing both the toil and the joy found in the labor, with dynamic shifts that mimic the swaying rhythm of threshing tools at work. Arolas’ composition could be seen as a tribute to the relentless pulse and spirit of rural life.

Florindo Sassone and La trilla

Florindo Sassone, known for his rich, emotive orchestral interpretations, breathes life into “La trilla” by emphasizing its fervent tempo and intricate harmonies. The orchestra’s rendition under Sassone’s direction likely elevates the composition’s energy, offering listeners a vibrant, immersive experience. His well-orchestrated arrangements may bring out the robust, visceral essence of the tango, while highlighting the distinct sounds of instruments that drive the rhythmic intensity of the piece.