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La trilla

La trilla is a Tango written by Eduardo Arolas and recorded by Héctor Varela in 1950. Héctor Varela has recorded La trilla as an instrumental Tango.
“La trilla,” which translates to “The Threshing,” embodies the rhythm and toil of harvest traditions. In its dance, one can feel the grain beneath the feet, a testament to the labor and celebration intertwined in the farmer’s life. The music captures a symphony of effort and reward, echoing the heartbeat of the land and its people.

Tango

Style

Héctor Varela

Orchestra

Instrumental

Singer

Author

Eduardo Arolas

Composer

1950/12/15

Date

Instrumental
Instrumental
Héctor Varela
Héctor Varela

Discover Other Orchestras

Cuarteto Típico Roberto Firpo – Lágrimas – 1940/4/25
Cuarteto Típico Roberto Firpo – Milonga orillera – 1948/5/28
Cuarteto Típico Roberto Firpo – Organito de suburbio – 1951/8/7
Cuarteto Típico Roberto Firpo – Flor de fango – 1940/4/25
Cuarteto Típico Roberto Firpo – El porteñito – 1951/11/7
Miguel Caló – Soledad la de Barracas – 1945/7/5
Miguel Caló – Valsecito – 1945/9/14
Miguel Caló – Tanto – 1948/12/15
Miguel Caló – Pedacito de cielo – 1942/9/2
Miguel Caló – Solitaria – 1966/6/2
Héctor Varela – El as de los ases – 1952/5/7
Héctor Varela – Gota de lluvia – 1956/8/1
Héctor Varela – Don Esteban – 1957/4/22
Héctor Varela – Es mi tormento – 1958/4/23
Héctor Varela – Y no me dejes corazón – 1958/4/23
Cuarteto Aníbal TROILO – Toda mi vida – 1968/8/5
Cuarteto Aníbal TROILO – La trampera – 1969/7/30
Cuarteto Aníbal TROILO – Pablo – 1968/8/5
Cuarteto Aníbal TROILO – Nocturno a mi barrio – 1969/7/30
Cuarteto Aníbal TROILO – A Pedro Maffia – 1968/9/11

Recommended

These Tangos, Valses, and Milongas were recorded around the same time. Take a look to discover what else this orchestra—or others—may have recorded during the same week or even on the exact same day.

La trilla recorded by other Orchestras

La trilla recorded by other Orchestras

1950/12/15 – Mama lejana – Enrique Rodriguez
1950/12/15 – Se acabo la mishiadura – Enrique Rodriguez
1950/12/15 – Farolito viejo – Hector Varela
1950/12/18 – La trampera – Miguel Calo
1950/12/18 – Murmullos (Murmuyos) – Miguel Calo
La trilla – 1940/2/15 – Carlos di Sarli – Instrumental
La trilla – 1967/11/14 – Juan D-Arienzo – Instrumental
La trilla – 1950/12/15 – Hector Varela – Instrumental
La trilla – 1962/9/4 – Florindo Sassone – Instrumental
La trilla – 1951/6/22 – Florindo Sassone – Instrumental
La trilla – 1955/11/3 – Enrique Francini – Instrumental
La trilla – 1936/12/19 – Cuarteto Tipico Roberto Firpo – Instrumental

La trilla recorded by Héctor Varela


La trilla is an instrumental Tango composed by Eduardo Arolas.



Interpretation of La trilla


In its essence, “La trilla” captures the rhythmic and melodic complexities of Argentine tango. Translating to “The Threshing” in English, it evokes imagery of the agrarian process where grain is separated from chaff, reflecting a sense of vibrant energy and structured movement. This piece is likely characterized by strong, pulsating rhythms that imitate the repetitive action and lively spirit of a traditional threshing scene. Amidst its dynamic tempo, the melody could offer interludes that flow with emotional intensity, representing the intertwining of work and dance, effort and celebration. The use of bandoneon and strings might emphasize the tango’s dramatic flair, making “La trilla” an evocative auditory depiction of both rural vitality and urban sophistication.



Héctor Varela and La trilla


Héctor Varela was renowned for his ability to balance traditional tango elements with innovative interpretations. His rendition of “La trilla” likely accentuates the juxtaposition between robust rhythmic force and melodic elegance. Varela’s orchestra, renowned for its rhythmic precision and emotive phrasing, brings a unique vibrancy to Arolas’ composition. The ensemble could find a perfect harmony between the spirited dynamics of the music and the nuanced expression inherent in tango. By interpreting “La trilla,” Varela not only pays homage to Eduardo Arolas, a pivotal figure in tango history, but also revitalizes the piece with his distinct orchestral flair, offering listeners a rich and compelling tango experience.