La tablada is a Tango written by Francisco Canaro and recorded by Juan D’Arienzo in 1965. Juan D’Arienzo has recorded La tablada as an instrumental Tango.
“La Tablada,” translated into English as “The Slaughterhouse,” evokes a vivid scene of raw emotion and turbulent passion. The name conjures images of a gritty, lively arena where stories of love and strife unfold. As the music plays, each note dances between intensity and grace, echoing the complex dance of life’s struggles and triumphs.
These Tangos, Valses, and Milongas were recorded around the same time. Take a look to discover what else this orchestra—or others—may have recorded during the same week or even on the exact same day.
La tablada is an instrumental Tango composed by Francisco Canaro.
Interpretation of La tablada
“La tablada” translates to “The Plaque” or “The Plate” in English. As an instrumental piece, it conjures images of a bustling, vibrant scene, perhaps a lively street or a crowded square where the energy is high and the dancers fill every corner. The music, driven by the masterful style of Tango, navigates through energetic rhythms and melancholic melodies, evoking contrasts, much like a well-composed scene on a plaque capturing various emotions at once.
Juan D’Arienzo and La tablada
In the hands of Juan D’Arienzo, known as “El Rey del Compás” or “The King of Rhythm,” “La tablada” gains new dimensions. His interpretation might intensify the rhythm, adding his signature staccato and brisk beats which elevate the piece into a driving force of passion and intensity. Under D’Arienzo’s baton, “La tablada” comes alive, enforcing its vibrant and vivid emotional tapestry.