Fabrice Knecht Tango DJ
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These Tangos, Valses, and Milongas were recorded around the same time. Take a look to discover what else this orchestra—or others—may have recorded during the same week or even on the exact same day.
La rumbita candombé is a Tango written by Mario Batistella and composed by Tito Luar.
“La rumbita candombé” intertwines the vibrant energies of two distinct dance forms—Rumba and Candombe. The lyrics begin with an invitation to pay attention as a new dance is about to start, symbolizing novelty and excitement emerging from cultural integration. Described as born from “ilusión” (illusion or hope) and sustained by faith, the dance represents a hopeful novelty that invites everyone to participate. The repeated invitation to dance and sing “Así, así, así, así” (Like this, like this, like this) serves as both a chorus and instruction, emphasizing the inclusivity and communal spirit of this rhythmic expression. The narrative around the dance ends with the imagery of “La negrita candombé” fading away, perhaps suggesting the ephemeral nature of dance or cultural phenomena.
The symbolic interplay in “La rumbita candombé” lies in its use of cultural elements like “bongó”, which is central to driving the rhythmic beat crucial to both Rumba and Candombé. By attributing the creation of the rhythm to the bongó, which emotionally connected with Argentina through love (“De una criolla se prendó”), Batistella eloquently hints at a profound cultural integration. The chorus might also symbolize relentless enthusiasm and the continuity of culture through music and dance. Furthermore, “la negrita candombé” not only refers to the dance or its performer but also doubles as a nod to the African roots of Candombé and the historical and cultural amalgamation happening in Argentina.
Recorded in 1943, “La rumbita candombé” emerged at a time when Argentina was experiencing significant cultural shifts and exposures. This period in Argentine history is notable for its openness to various international influences, amidst a complex political and social backdrop. The blending of Rumba and Candombé into a single dance rhythm could be perceived as a metaphor for the harmonization of different cultural identities. It might have served as a subtle cultural bridge, promoting mutual respect and integration among the diverse communities dwelling within Argentina. The mood of the song aligns with a period of emerging cultural syncretism, indicating an era of exploration and acceptance.
Mario Batistella was an Argentine composer and lyricist known for his significant contributions to the Tango genre. His works reflect a deep engagement with the cultural and social nuances of his time.