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La quema

La quema is a Tango written by Pedro N. Santillán and recorded by Osvaldo Fresedo in 1927. Osvaldo Fresedo has recorded La quema as an instrumental Tango.
“La quema,” translated into English as “The Burning,” is a Tango piece that ignites the soul with fiery passion and yearning. The music embodies the consuming dance of desire, where each note flickers like flames, intense and unrestrained. As the melodies entwine, they speak of transformation, of what is left in ashes when the heart dares to embrace its fervent needs.

Tango

Style

Osvaldo Fresedo

Orchestra

Instrumental

Singer

Leo Dionisio Rao, Pedro N. Santillán

Author

Pedro N. Santillán

Composer

1927/11/4

Date

Instrumental
Instrumental
Osvaldo Fresedo
Osvaldo Fresedo

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La quema recorded by Osvaldo Fresedo


La quema is an instrumental Tango composed by Pedro N. Santillán.



Interpretation of La quema

The title “La quema,” translated to English as “The Burning,” evokes a sense of intensity and passion. This instrumental Tango may reflect the emotive power and dynamic energy often associated with the concept of burning—an experience both destructive and transformative. The music likely carries a potent rhythm and vivid melodic lines that capture the essence of fire’s dual nature, portraying both its fierce destructiveness and its ability to purify and foster new beginnings.



Osvaldo Fresedo and La quema

Osvaldo Fresedo, renowned for his refined and elegant tango style, interprets “La quema” by weaving intricate musical textures and subtle dynamics. His orchestra brings out the dramatic and expressive elements inherent in Santillán’s composition, offering listeners an immersive experience of the burning’s fervor and emotional depth. Fresedo’s rendition would be remembered for its masterful blend of intensity and sophistication, capturing the audience’s imagination through its evocative performance.