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La que no volvió

La que no volvió is a Tango written by H. Gorno and recorded by Edgardo Donato in 1931. The Tango La que no volvió is written by H. Gorno, Edgardo Donato has recorded La que no volvió with the singer Luis Díaz.
“La que no volvió,” translated as “The One Who Didn’t Return,” evokes a haunting tale of absence. It whispers of a dance left unfinished, a love lost to the shadows of time. The melody lingers, echoing the silent longing of a heart once entwined, now adrift in the echoes of memory.

Tango

Style

Edgardo Donato

Orchestra

Luis Díaz

Singer

H. Gorno

Author

H. Gorno

Composer

1931/1/1

Date

Luis Díaz
Luis Díaz
Edgardo Donato
Edgardo Donato

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Lyrics Translation of the Tango La que no volvió

This is the translation of the Tango “La que no volvió” from Spanish to English. The English lyrics of the Tango “La que no volvió” have been done with AI.

Letra del Tango La que no volvió

Muchachita, your que fugiste
De tu barrio la más buena,
Ya que nunca ni una pena
Albergó tu corazón.

To your poor lives
that you love to educate,
you will be queried
for your cruel resolution.

English lyrics of the Tango "La que no volvió"

Young girl, who fled
From your neighborhood, the kindest one,
Since never even a single sorrow
Housed your heart.

To your poor lives
that you long to teach,
you will be asked
for your cruel decision.

La que no volvió by H. Gorno

La que no volvió is a Tango written and composed by H. Gorno.



Story behind the Tango La que no volvió

La que no volvió, translating to “The One Who Never Returned,” evokes a poignant narrative of a young girl who leaves her neighborhood, described as the kindest among them, untouched by sorrow. The lyrics delve into the consequences of her departure, highlighting the impact on her family, particularly the distress it causes her parents who cherished and raised her with care and love. This tango tells a story of separation, the longing and unresolved feelings left in the wake of her unexpected departure.



Symbolism of La que no volvió

The central theme revolves around loss and remembrance. The use of phrases like “fugiste de tu barrio,” pointing to her fleeing not just a place but a community and a past life, invokes a sense of betrayal and abandonment. This departure from the barrio, which culturally stands for a close-knit community, can symbolize a loss of innocence or the painful transition from protected youth to the unforgiving world beyond one’s old, familiar boundaries. Her actions, described as a ‘cruel resolution,’ suggest a decisive yet harsh decision, leaving a wound on those who loved her.



La que no volvió in historic Context

Recorded in 1931 in Argentina, a time of significant social and political changes, La que no volvió could reflect the personal impacts of broader societal shifts. The early 1930s in Argentina were marked by economic difficulty and a series of political coups, leading to instability and uncertainties. In this context, the tango could mirror the emotional and physical departures happening in society, where young individuals might have been compelled to leave their familiar lives behind in search of stability or new opportunities, often leaving a void in the communities and families they left behind.



H. Gorno

H. Gorno is recognized for contributing to the rich tapestry of Argentine tango, with his works encapsulating deep emotional and cultural narratives.