Fabrice Knecht Tango DJ
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These Tangos, Valses, and Milongas were recorded around the same time. Take a look to discover what else this orchestra—or others—may have recorded during the same week or even on the exact same day.
La piel de Buenos Aires is a Tango written by Javier Mazzea and composed by Pedro Ortiz.
The tango “La piel de Buenos Aires” encapsulates a profound journey of exploration into the very essence and soul of Buenos Aires. Through its lyrics, the song narrates a personal voyage to understand and experience the city intimately, delving deep into its ‘skin’—a metaphor for its identity and culture. The lyricist expresses a desire to grasp not just the visual or surface level, but the emotions, life, and rhythms that define Buenos Aires.
Significant symbolism in “La piel de Buenos Aires” is found in the repeated references to the city’s ‘skin’ and ‘entrañas’ (entrails), symbolizing a deep, almost visceral connection with Buenos Aires. The city is portrayed as an enigmatic woman, “bañada por la luna” (bathed by the moon), enhancing its mysterious, feminine allure. This personification of the city adds a layer of intimacy and affection to the narrative, making the urban space feel alive and responsive. Phrases like “la sangre de su sangre” (the blood of her blood) and the portrayal of its inhabitants signify deep-rooted kinship and belonging.
Considering that “La piel de Buenos Aires” was created in 1981, a significant period in Argentina’s history marked by political upheaval and the imminent end of a military dictatorship, this tango might subtly reflect the zeitgeist of the era. The exploration for ‘the color of its skin’ and the focus on the common people “la gente que trabaja y que quiere vivir” (people who work and want to live) might subtly resonate with a collective yearning for identity, peace, and normalcy amidst societal unrest.
Javier Mazzea is recognized for his contributions to the world of tango, providing insightful lyrics that often explore deep emotional and social themes.