Fabrice Knecht Tango DJ
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These Tangos, Valses, and Milongas were recorded around the same time. Take a look to discover what else this orchestra—or others—may have recorded during the same week or even on the exact same day.
La payanca is a Tango written by Jesús Fernández Blanco and composed by Augusto Berto.
La payanca narrates a tale of romantic conquests and profound nostalgia. The protagonist looks back over their youthful days marked by love, triumphs, and an overwhelming capacity to charm and win over hearts. “Con mi payanca de amor” literally translates to “With my love charm” hinting at a tool or talent the protagonist used to woo lovers. Through a fusion of melodic exploits and affections, the narrator reflects on a time around which life revolved passionately around love and romance.
The term “payanca” does not directly translate into English but could be understood metaphorically as a charm or key used by the protagonist to unlock hearts, suggesting the powerful allure or charisma carried by someone effortlessly evoking love and adoration. This symbolic portrayal allows listeners to delve into feelings of power during youth and its contrasting absence in later years. The line “¡Payanca, payanquita ya te he perdido y sólo tu recuerdo fiel me ha seguido!” highlights this transition as the narrator mourns the loss of this charm and is left only with memories of a vibrant past, showcasing a poignant longing mixed with the enduring presence of the past in thoughts and feelings.
Recorded in the early 1960s in Argentina, La payanca emerges at a time recognized for a mixture of political turbulence and cultural vibrancy. During this era, Tango was not merely a dance; it was a powerful cultural expression reflecting deeper societal sentiments. This song, crafted amidst such dynamic times, may have offered a retrospective escape into simpler, more personal battles of love and identity, perhaps mirroring societal yearnings for the nostos (or return) to a remembered or imagined epoch where passions dictated life’s rhythm.
Jesús Fernández Blanco was an insightful lyricist in the Tango scene, known for his ability to embed deep emotional scenarios within simple, elegant verses.