Fabrice Knecht Tango DJ
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These Tangos, Valses, and Milongas were recorded around the same time. Take a look to discover what else this orchestra—or others—may have recorded during the same week or even on the exact same day.
La payanca is a Tango written by Jesús Fernández Blanco and composed by Augusto Berto.
The lyrics of “La payanca” reflect a nostalgic look back at a time filled with love and youth. In these verses, the singer recounts the joys and triumphs of his younger days, focusing on his romantic endeavors and the emotional victories they brought. The title itself, “La payanca,” which can be loosely translated to “The Pretty One” or “The Charming One” in English, sets the tone for a melodic and sentimental journey, highlighting the profound personal connection the narrator shares with this term of endearment.
The repetition of “payanca, payanquita” symbolizes a cherished memory, a token from the past that continues to illuminate the narrator’s present with its glow (“mi vida la llenaste de resplandores”). These lines are heavy with affection and loss, indicative of a time that, while no longer physically present, lives on in the singer’s mind and heart. Key phrases such as “hasta saciar mi sed de amor” and “sus besos por mi pasión” evoke a vivid imagery of passionate, youthful love, illustrating the depth of the narrator’s emotional journey.
“La payanca” was recorded in 1946 in Argentina, a time post-World War II where the country was experiencing significant changes and a return to normalcy after the global turmoil. This period saw a resurgence of cultural expressions, with Tango serving as a poignant outlet for emotional exploration and societal reflection. In this context, the Tango could be seen as a medium through which Argentinians expressed their collective nostalgia for simpler, pre-war times and a personal narrative of love and life’s ephemeral nature.
Jesús Fernández Blanco was an eminent Argentine tango lyricist, known for his evocative and emotionally rich compositions.