Fabrice Knecht Tango DJ
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These Tangos, Valses, and Milongas were recorded around the same time. Take a look to discover what else this orchestra—or others—may have recorded during the same week or even on the exact same day.
La otra noche is a Tango written by José De Grandis and composed by Antonio Romano.
The lyrics of “La otra noche” depict a poignant, cautionary tale of a woman who has abandoned her humble beginnings for a life of superficial luxury. The narrator describes how the woman flaunts her newfound status “the other night,” captivating attention through extravagant displays, seemingly at the cost of her authentic self. José De Grandis crafts a narrative of loss, not in material terms but in integrity and roots, with the stark contrast between past humility and present pretense underscoring the song’s emotional depth.
The conspicuous symbolism in “la otra noche” is found in the transformation of the woman from her modest origins to her luxurious current lifestyle. Key phrases such as “cambiaste el chamuyo, las pilchas y el trato” symbolize a deep change in her persona, highlighting a shift from genuine to superficial. The mention of “vendiste tu alma, ni alma tenés” poignantly signals the ultimate loss – her soul. This deep symbolism critiques societal values that prioritize material wealth over spiritual and moral integrity.
“La otra noche” emerged in 1928, a significant era in Argentina marked by socioeconomic changes and the growing influence of European cultural trends. This period saw a rising middle class and an increase in consumerism, where displays of wealth became more prominent. The tango, deeply woven into the Argentine cultural fabric, often reflected societal attitudes and changes. Thus, the song’s emphasis on superficiality versus authenticity captures the cultural dynamics of urban Argentina during the late 1920s.
José De Grandis was an Argentine lyricist known for his poignant, culturally resonant tango lyrics.