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La morocha

La morocha is a Tango written by Enrique Saborido and recorded by Héctor Varela in 1967. Héctor Varela has recorded La morocha as an instrumental Tango.
“La morocha,” meaning “The Brunette” in English, evokes the mystery and allure of a dark-haired muse. This tango whispers of sultry nights and whispered secrets, where every step is a dance of passion and longing. The music paints a portrait of elegance and intrigue, capturing the spirit of a captivating presence that enchants all who cross her path.

Tango

Style

Héctor Varela

Orchestra

Instrumental

Singer

Angel Villoldo

Author

Enrique Saborido

Composer

1967/7/14

Date

Instrumental
Instrumental
Héctor Varela
Héctor Varela

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La morocha recorded by other Orchestras

La morocha recorded by other Orchestras

Letra del Tango La morocha

Yo soy la morocha,

la más agraciada,

la más renombrada

de esta población.

Soy la que al paisano

muy de madrugada

brinda un cimarrón.



Yo, con dulce acento,

junto a mi ranchito,

canto un estilito

con tierna pasión,

mientras que mi dueño

sale al trotecito

en su redomón.



Soy la morocha argentina,

la que no siente pesares

y alegre pasa la vida

con sus cantares.

Soy la gentil compañera

del noble gaucho porteño,

la que conserva el cariño

para su dueño.



Yo soy la morocha

de mirar ardiente,

la que en su alma siente

el fuego de amor.

Soy la que al criollito

más noble y valiente

ama con ardor.



En mi amado rancho,

bajo la enramada,

en noche plateada,

con dulce emoción,

le canto al pampero,

a mi patria amada

y a mi fiel amor.



Soy la morocha argentina,

la que no siente pesares

y alegre pasa la vida

con sus cantares.

Soy la gentil compañera

del noble gaucho porteño,

la que conserva el cariño

para su dueño.

English lyrics of the Tango "La morocha"

I am the brunette,
the most favored,
the most renowned
in this town.
I’m the one who to the countryman
very early in the morning
offers a bitter drink.

I, with a sweet accent,
next to my little ranch,
sing a little style
with tender passion,
while my owner
rides off
on his pacing horse.

I am the Argentine brunette,
the one who feels no sorrows
and cheerfully lives life
with her songs.
I am the gentle companion
of the noble porteño gaucho,
the one who keeps her affection
for her owner.

I am the brunette
with a fiery gaze,
the one who feels in her soul
the fire of love.
I am the one who loves
the noblest and bravest criollo
fervently.

In my beloved ranch,
under the arbor,
on a silver night,
with sweet emotion,
I sing to the pampero,
to my beloved country
and my faithful love.

I am the Argentine brunette,
the one who feels no sorrows
and cheerfully lives life
with her songs.
I am the gentle companion
of the noble porteño gaucho,
the one who keeps her affection
for her owner.

La morocha by Angel Villoldo

La morocha is a Tango written by Angel Villoldo and composed by Enrique Saborido.



Story behind the Tango La morocha

“La morocha” is a quintessential Argentinian tango that tells the story of a self-assured, dark-haired woman (the titular “morocha”), praised for her charm and spirited nature. Proudly linked to her regional identity, she portrays herself as the joyous companion of the “gaucho porteño,” symbolizing the ideal partner in the gaucho culture, which is deeply rooted in the plains of Argentina and Uruguay. Her narrative embodies themes of love, passion, and a deep-rooted connection to her land and its people.



Symbolism of La morocha

The recurring phrases “Soy la morocha argentina, la que no siente pesares y alegre pasa la vida con sus cantares” are laden with cultural pride and joy. They reveal a woman who lives without sorrow and finds happiness in her songs, epitomizing the resilient and festive spirit of the Argentine people. The elements of nature, like the “pampero” (a local wind) and the “enramada” (arbor), symbolize her deep connection with her homeland, highlighting her grounded identity and her love for the elements that shape her environment.



La morocha in historic Context

Given the song is entrenched in the culture of the 1960s in Argentina, it reflects a period marked by the strong presence and romanticism of gaucho culture in popular Argentine media. This was a time when national identity was heavily tied to rural and traditional values, with figures like the gaucho being emblematic of Argentine virtue and valor. The mention of the “noble gaucho porteño” is significant as it connects to Buenos Aires’s (porteño) cultural heritage, portraying the gaucho not just as a rural symbol but one even integrated into more metropolitan narratives.



Angel Villoldo

Angel Villoldo, often hailed as one of the fathers of tango, was an Argentine musician and one of the pioneering figures in the genre’s early development in the late 19th and early 20th centuries.