Fabrice Knecht Tango DJ
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These Tangos, Valses, and Milongas were recorded around the same time. Take a look to discover what else this orchestra—or others—may have recorded during the same week or even on the exact same day.
La morocha is a Tango written by Angel Villoldo and composed by Enrique Saborido.
“La morocha” tells the story of a woman, referred to as “La morocha,” which translates to “the brunette” in English. This character is proud of her local renown and physical allure, embodying the spirit of her Argentine identity. Through the lyrics, she expresses her dedication to providing warmth and companionship, particularly to the “paisano” or countryman, effectively romanticizing the rural life of Argentina. Her singing and the love she expresses for her surroundings and people offer a celebration of her identity and cultural heritage.
The repetition of the phrase “Soy la morocha argentina, la que no siente pesares” highlights her resilience and perpetual joy which symbolizes the idealized spirit of the Argentine persona. This resilience is a testament to the culture’s vibrant outlook on life despite hardships. “En mi amado rancho, bajo la enramada” symbolizes her deep connection to her homeland, rooted in a love for the natural and simple rural settings. These settings are not just geographical markers but are emblazoned with emotional and national significance, tying the individual experience to the broader cultural identity.
Written in 1938 amidst a politically and socially tumultuous period in Argentina, “La morocha” serves as a reminder of the pride in Argentine rural life and traditions amidst growing urbanization and modern pressures. During this time, there was a significant push towards recognizing and celebrating native traditions, which this song embodies through its portrayal of the gaucho culture and the rural life. The mentioning of the “noble gaucho porteño” connects deeply with Argentine nationalism and the idealization of the gaucho as a symbol of national identity and virtues.
Angel Villoldo was an Argentine musician and one of the pioneers of Tango, often referred as “The Father of Tango.”