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La maleva

La maleva is a Tango written by Antonio Buglione and recorded by José Basso in 1955. The Tango La maleva is written by Antonio Buglione, José Basso has recorded La maleva with the singer Oscar Ferrari.
“La Maleva,” translated to English as “The Rebellious Woman,” is a poignant dance of defiance and resilience. In the rhythm of its notes, it weaves the tale of a woman’s spirit unyielding to societal constraints. Each melody carries her essence, a narrative of strength and liberation, echoing her unwavering courage amidst life’s storms.

Tango

Style

José Basso

Orchestra

Oscar Ferrari

Singer

Mario Pardo

Author

Antonio Buglione

Composer

1955/4/19

Date

Oscar Ferrari
Oscar Ferrari
José Basso
José Basso

Discover Other Orchestras

Osmar Maderna – La huella – 1950/11/8
Osmar Maderna – El marne – 1947/9/18
Osmar Maderna – Escalas en azul – 1950/5/17
Osmar Maderna – Inútil – 1947/2/20
Osmar Maderna – Lluvia de estrellas – 1948/6/24
Carlos di Sarli – Sos una maquieta – 1929/11/16
Carlos di Sarli – Clavel del aire – 1953/6/26
Carlos di Sarli – Tu pálida voz – 1953/6/26
Carlos di Sarli – Racing Club – 1930/6/3
Carlos di Sarli – La cumparsita – 1951/7/16
Armando Pontier – Tierra adentro – 1968/4/29
Armando Pontier – Olvido – 1968/9/23
Armando Pontier – Madame Ivonne – 1966/12/23
Armando Pontier – Araca París – 1960/4/28
Armando Pontier – Noche de ronda – 1961/11/23
Anibal Troilo – El motivo (Pobre paica) – 1970/8/13
Anibal Troilo – Volver – 1970/8/13

Recommended

These Tangos, Valses, and Milongas were recorded around the same time. Take a look to discover what else this orchestra—or others—may have recorded during the same week or even on the exact same day.

La maleva recorded by other Orchestras

La maleva recorded by other Orchestras

1955/4/19 – Don Juan – Jose Basso
1955/4/19 – Eras como la flor – Jose Basso
1955/4/19 – La tablada – Jose Basso
1955/4/24 – Triste destino – Alfredo De Angelis
1955/4/26 – Caido del cielo – Alfredo De Angelis
La maleva – 1942/10/9 – Anibal Troilo – Instrumental
La maleva – 1949/7/26 – Juan D-Arienzo – Instrumental
La maleva – 1943/8/10 – Miguel Calo – Instrumental
La maleva – 1939/3/24 – Rodolfo Biagi – Instrumental
La maleva – 1955/4/19 – Jose Basso – Oscar Ferrari
La maleva – 1967/5/9 – Hector Varela – Instrumental
La maleva – 1927/6/3 – Roberto Firpo – Instrumental

Lyrics Translation of the Tango La maleva

This is the translation of the Tango “La maleva” from Spanish to English. The English lyrics of the Tango “La maleva” have been done with AI.

Letra del Tango La maleva

Maleva que has vuelto al nido
de tu garufa arrepentida,
ya no sos la mantenida
que deslumbraba en el Pigall;
ya no tenés más berretines
de lujo y milonga,
de vicio y placer.
Volvés a tu vida primera
y la milonguera
vuelve a ser mujer.

Tal vez algún día
oyendo un tango malevo
arderá en tu alma un deseo
que matará el corazón.
Vos, que siempre fuiste
la reina de los festines,
ya no querés copetines,
ni tangos ni bandoneón.

Y ahora de nuevo en tu barrio
y por todos respetada,
viendo tu vieja encantada
con tu regeneración,
dentro de tu corazón
has de pensar que el cariño
tendió su manto de armiño
para abrigarte mejor.

English lyrics of the Tango "La maleva"

Rogue, who has returned to the nest
of your regretful revelry,
you’re no longer the kept woman
who dazzled at Pigall;
you no longer have those little whims
of luxury and milonga,
of vice and pleasure.
You return to your first life
and the milonguera
becomes a woman again.

Maybe one day,
listening to a rogue tango,
a desire will ignite in your soul
that will kill the heart.
You, who were always
the queen of the feasts,
no longer want cocktails,
nor tangos nor bandoneón.

And now back in your neighborhood
and respected by everyone,
seeing your mother delighted
with your reformation,
inside your heart
you must think that affection
spread its ermine cloak
to shelter you better.

La maleva by Mario Pardo

La maleva is a Tango written by Mario Pardo and composed by Antonio Buglione.

Story behind the Tango La maleva

“La maleva” tells a poignant story of a woman who returns to her humble beginnings after living a life filled with luxury and vice. The lyrics paint a picture of a woman who once dazzled in the nightlife and extravagance but has now returned to her old neighborhood, changed, and seemingly repentant. The tango expresses themes of transformation and redemption as the woman reverts to her intrinsic self, leaving behind the superficial glamor for a more respected life in her community.



Symbolism of La maleva

Mario Pardo uses the term “maleva” which is often associated with a defiant and rebellious person. In this context, it highlights the woman’s past life of defiance against social norms. The transformation from a “maleva” to a respected woman symbolizes societal judgment and redemption. Key phrases like “arderá en tu alma un deseo,” which translates as “a desire will burn in your soul,” evoke the internal struggle between her past indulgences and her current state of repentance. The imagery of her heart being killed by this burning desire symbolizes the deep emotional conflict and potential for relapse into her former life.



La maleva in historic Context

In 1955, Argentina was experiencing significant political and cultural changes. This period marked the fall of Juan Domingo Perón and ushered in a time of social reflection and transformation, paralleling the song’s themes. “La maleva” might be seen as a reflection of society’s scrutiny of its own moral values and collective identity in a time of crisis and change. The tango captures this sentiment, focusing on personal and societal transformation. The reference to the “Pigall,” a known spot for nightlife, locates the story within the vibrant urban culture but also hints at places of past excesses.



Mario Pardo

Mario Pardo was a noted tango lyricist known for his expressive and emotionally rich compositions, often reflecting deeply on personal and societal issues.