Fabrice Knecht Tango DJ

La guitarrita

La guitarrita is a Tango written by Eduardo Arolas and recorded by Juan D’Arienzo in 1967. Juan D’Arienzo has recorded La guitarrita as an instrumental Tango.
“La guitarrita,” which translates to “The Little Guitar,” evokes an intimate dance between nostalgia and passion. This petite instrument becomes a vessel for heartfelt melodies, whispering tales of love and longing. Through its strings, “La guitarrita” weaves a delicate tapestry of emotion, capturing the spirit of a timeless tango beneath the moonlit sky.

Tango

Style

Juan D'Arienzo

Orchestra

Instrumental

Singer

Author

Eduardo Arolas

Composer

1967/8/16

Date

Instrumental
Instrumental
Juan D'Arienzo
Juan D’Arienzo

Discover Other Orchestras

José Basso – El cencerro – 1965/1/1
José Basso – De puro curda – 1957/7/27
José Basso – El esquinazo – 1983/1/1
José Basso – Necesito olvidar – 1968/1/1
José Basso – Para lucirse – 1950/8/29
Horacio Salgán Y Dante Amicarelli – Bonita (2) – 1970/1/1
Horacio Salgán Y Dante Amicarelli – Ritmo fascinante (Vertigo ciudadano) – 1970/1/1
Horacio Salgán Y Dante Amicarelli – Tu romanza – 1971/1/1
Horacio Salgán Y Dante Amicarelli – La chica de Ipanema (Garota de Ipanema) – 1970/1/1
Horacio Salgán Y Dante Amicarelli – Laura – 1971/1/1
Nuevo Quinteto Real (Horacio Salgán) – El choclo – 1987/1/1
Nuevo Quinteto Real (Horacio Salgán) – Homenaje a Pedro Laurenz – 1987/1/1
Nuevo Quinteto Real (Horacio Salgán) – 9 de Julio – 1987/1/1
Nuevo Quinteto Real (Horacio Salgán) – La llamó silbando – 1987/1/1
Nuevo Quinteto Real (Horacio Salgán) – El abrojito – 1987/1/1
Armando PONTIER – Verdemar – 1960/7/21

Recommended

These Tangos, Valses, and Milongas were recorded around the same time. Take a look to discover what else this orchestra—or others—may have recorded during the same week or even on the exact same day.

La guitarrita recorded by other Orchestras

La guitarrita recorded by other Orchestras

1967/8/16 – La clavada – Juan D-Arienzo
1967/8/16 – El tamango – Juan D-Arienzo
1967/8/21 – De ayer y hoy – Juan D-Arienzo
1967/8/21 – El horizonte – Juan D-Arienzo
1967/8/21 – Sollozos – Juan D-Arienzo
La guitarrita – 1928/11/26 – Carlos di Sarli – Instrumental
La guitarrita – 1936/1/14 – Juan D-Arienzo – Instrumental
La guitarrita – 1947/5/13 – Juan D-Arienzo – Instrumental
La guitarrita – 1967/8/16 – Juan D-Arienzo – Instrumental
La guitarrita – 1954/7/14 – Osvaldo Pugliese – Instrumental
La guitarrita – 1949/12/29 – Miguel Calo – Instrumental
La guitarrita – 1930/1/1 – Edgardo Donato – Instrumental
La guitarrita – 1931/1/1 – Edgardo Donato – Instrumental
La guitarrita – 1962/9/10 – Florindo Sassone – Instrumental
La guitarrita – 1951/8/13 – Florindo Sassone – Instrumental

La guitarrita recorded by Juan D’Arienzo

La guitarrita is an instrumental Tango composed by Eduardo Arolas.

Interpretation of La guitarrita

“La guitarrita,” translated to English as “The Little Guitar,” evokes the delicate yet expressive voice of a guitar. In the context of an instrumental tango performed by an orchestra, it likely brings to life the interplay of rhythm and melody, reminiscent of a conversation between dancers. The piece might weave through dynamic crescendos and delicate phrases, capturing the essence of both passion and nostalgia present in tango music.

Juan D’Arienzo and La guitarrita

Juan D’Arienzo, often known as “El Rey del Compás” (The King of the Beat), was renowned for his vibrant and rhythmic style, which reinvigorated the tango dance scene. His interpretation of “La guitarrita” would likely highlight his signature energetic approach, infusing the melody with a lively tempo and precise, accentuated beats. This rendition would emphasize the orchestral strength of D’Arienzo’s ensemble, bringing Eduardo Arolas’ composition to life with spirited flair.