Fabrice Knecht Tango DJ
Fabrice Knecht Tango DJ
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These Tangos, Valses, and Milongas were recorded around the same time. Take a look to discover what else this orchestra—or others—may have recorded during the same week or even on the exact same day.
La guitarrita is a Tango written by Gabriel Clausi and composed by Eduardo Arolas.
“La guitarrita,” which translates to “The Little Guitar” in English, is a deep and evocative piece that uses the metaphor of a small guitar to delve into themes of love, nostalgia, and artistic expression. The lyrics depict the guitar as a cherished companion, intertwined with the singer’s emotional life, reflecting on nights filled with dreams and the bittersweet blend of joy and sorrow.
The narrative voice in the tango speaks directly to the guitar, recounting shared memories of nights by the gate (reja), hinting at serenades that once courted a lover under the moonlight’s glow and the sweet scents of jasmine and wisteria. These scenes paint a vivid picture of traditional romantic gestures in Latin cultures, particularly in the context of Argentine folklore.
The small guitar symbolizes more than just a musical instrument; it embodies the narrator’s emotional voyage through life’s highs and lows. The profound attachment to the guitar is evident as it’s personified as a partner and a bearer of dreams and memories. Key phrases such as “la que llenó mis noches de ilusión” (the one that filled my nights with dreams) and “encadenó mis sueños a su amor” (chained my dreams to its love) highlight the instrument’s role as a source of both inspiration and melancholic longing.
The guitar is also a vessel for the narrator’s feelings, capturing the essence of his youthful love and later life reflections. The passage “Vuelve en la noche hoy, junto a la reja, el dulce trino” (Tonight, by the gate, the sweet melody returns) evokes the returning memories triggered by the melody plucked from the guitar strings, suggesting that music and love are perpetually intertwined.
Written and recorded in 1962, “La guitarrita” emerges during a period rich with cultural and artistic expression in Argentina. This was a time when tango music served not only as entertainment but also as a reflection of the societal emotions – ranging from despair to joyous celebration. The heartfelt narrative embedded within this tango offers glimpses into the typical Argentine life through the lens of personal memory and musical recounting. This era, often reminded of simpler, yet passionate ways of living, supports the nostalgic flavor of the lyrics.
Gabriel Clausi, known affectionately as “Pinino,” was a celebrated Argentine bandoneon player and composer, renowned for his contributions to the tango genre.